Hesperian Death Horse is an avant-garde black/sludge/post-metal band playing in Zagreb, Croatia since 2012. HDH is a narrator of psychedelic, nihilistic poetry that sings a saga of the birth, life and death of every being, each stage envisioned as a separate album forming a trilogy, after which, the band will have concluded the saga and will not create any further music. The saga will be told in the order of death, life and birth. Death was the theme of their first album ‘Mrtav’ (Croatian for the word ‘Dead’), released in 2013 by Play The Assasin Records. Life is the theme of their newest, second album ‘Ziv’ (Croatian for the word ‘Alive’), released now. Birth will be the theme of the last part of the trilogy, and the band’s last album, ‘Rodjen’ (Croatian for the word ‘Born’), will see the light of day in late 2020.
Life is the theme of their newest, full-length album ‘Ziv’ (Croatian for the word ‘Alive’), the second of a planned trilogy of releases, recorded in reverse order encompassing the human life cycle. The 4 part / 30 minute ‘Ziv’ is avant-garde black music with nihilistic poetry.
The album was recorded in the summer of 2017 at Kramasonik Studio in Zagreb, Croatia by the quintet consisting of Dario Orac (guitars & vocals), Domagoj Zunic (guitars & vocals), Marko Galetic (guitars & vocals), Ivan Kukuljevic (drums) and Slaven Jedvaj (bass guitar). It was recorded and mixed by Hrvoje Niksic, and mastered by James Kelly (Altar of Plagues/Wife). Artwork by Snjezana Mekic Delic.
Below A Silent Sky has just released their album A View From Afar.
" We're proud to announce our 2nd album - A View From Afar - is now official released on bandcamp and available on CD in our merch store and at our shows. We worked with blood, sweat and tears for over half a year to record these new tracks and shaped them till they hit our ideas. For now, it`s time to thank all of you guys who supported us on our way either at our shows, in the studio, with the artwork and the thousands of other things related to this record and our music."
Spiricom is a two-person project from Ohio featuring elements of post-rock, shoegaze, ambient and experimental rock. The project was started by Steven K. Smith, who has also been involved in bands such as A Signal In The Static, Dolmen, Mabou, and Daye of Skye.
In 1980, William O'Neil and George Meek built the spiricom apparatus to communicate with the spirits of the deceased. Stranger still is that O'Neil claims to have gotten assistance in the radio-like device's development via psychic interaction with Dr. George Mueller, who had died in 1967. The concept of otherworldly communion mixed with technology is Spiricom's primary theme, but they also explore more archaic forms of spiritual communication.
Smith handles the programming, percussion, keyboards and synthesized guitar in Spiricom, while Marc Cody explores soundscapes, auditory textures, and fuzzy walls of distortion on lead guitar.
Spiricom's Hammer of Witches EP glimpses the lengths to which the zealous will go in the pursuit of righteousness. Three companion pieces evoke how men wielded pain, fire, and unyielding conviction in the pursuit of holy purification. Competing spiritual forces create a cascade of textures. Guitars lull and sear a redemptive path through illuminating and angelic synths. Drums beat out a shamanistic trance while a percussive march gathers on the borders.
Three guys with various musical influences that have come together to make music.
"We grew tired of having creative boundaries limited by previous bands and so this is an outlet for everything we never had a chance to play before. "
The last gasping breath from a fun, weird experiment of personal styles and musical tastes. Always having something to say but no one to say it to, this last batch of songs serves as the unmarked grave for three unlovable losers who enjoyed making loud noises. 100% DIY from the beginning but this last batch should hopefully be the best mixed at least thanks to some light reading and Reaper mixing software.
There are many bands that draw inspiration from the mysterious, dreamlike, simply weird world of the American novelist H. P.Lovecraft. One such band can be found also on the Czech scene, though you would look for it in vein within the metal genre. What we refer to is POSTCARDS FROM ARKHAM, a post-rock project, whose mastermind is Marek “Frodys” Pytlik, who arose from the iconic North Moravian doom act DISSOLVING OF PRODIGY, as well as from the melodic death metal band AWRIZIS. Now PFA return with their second studio album with a cryptic fateful title “ÆØN5” that will take you to the world of lucid dreaming beyond angled space, where a different music of the spheres reigns supreme.
Already the first album of POSTCARDS FROM ARKHAM, entitled “Oceanize”, was a breath of fresh air on the Czech not only metal scene. “ÆØN5” goes way further. Once again, maestro Frodys took care of all music and instrumentation and conjured up a unique mix of nostalgic and poetic post-rock sound combined with a horror narrative. Here and there even an isolated black metal scream appears, more often however a splendidly sounding spoken word, uttered for example by the diva Lenka Machová from ADOR DORATH, who besides that participated on the visual and lyrical side of the album. State-of-the-art production was brought in by Libor Kukula from MetalGate
Howard Philips Lovecraft and his “weird fiction” is one those instances that show how whimsical fate can be. Neglected in life and delegated to the margins of pulp literature, today a literary icon, whose work serves as an inspiration to countless other artists across the cultural spectrum. The Czech scene is not an exception. Take POSTCARDS FROM ARKHAM for example, a post-rock/metal project by Marek Frodys Pytlik that translates Lovecraft’s legacy into its music, and that is now releasing under MetalGate Records its already third studio album entitled “MANTA”. Those who are familiar with PFA, may be surprised that the new album is somewhat darker and rawer than its predecessors. It is so because the intent was to create a counterpoint to the previous piece “ÆØN5”, both music-wise and theme-wise. While “ÆØN5” built on Lovecraft’s so-called “dream cycle”, which are stories having as their common denominator phantasmal dreamscapes that make them in a way lighter and more colorful compared to the rest of his works, “MANTA” heads into the utterly nonhuman and unfathomable cosmic voids of Lovecraftian cosmology – that is, into vistas ruled by the Demonic Sultan Azathoth, Lord of All, and to which to gain entrance entails transgressing the boundaries of the angled space, which is to say to leave behind that which we perceive as reality. Hence the contrast.
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.