2018-03-18 02:06:39 UTC
Raised in Edmonton, Canada, Wilroy takes R&B as his musical starting point. He’s now based in Liverpool, and cites influences ranging from hip-hop to electronic music and jazz. Recently selected by Gilles Peterson’s Brownswood Music talent discovery initiative Future Bubblers, and played on BBC Radio 1Xtra, Worldwide FM & Bandcamp Weekly, 2018 looks to be a promising year for the producer.
Too Dark To See The Green, Wilroy’s debut EP serves as a cathartic journey through the arc of heartache, as told through the ghosts of 70’s soul men. His music paints grand, maximalist sonics: tracks change shape and mutate as they go, akin to the evolution of a dream. The EP’s 5 tracks wring out every last drop; from the opening nightmarish strings, and the dungeon-low dirge of the title track, to the liberated, gospel highs of Ascension.
- Tomorrow - 04:21
- Too Dark To See The Green - 04:33
- What Goes Around - 02:06
- Ascension - 06:48
- Coldest Days - 05:30
alternative, electronic, experimental, hip-hop, future, r&b, neo-soul
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.