2017-03-13 05:58:40 UTC
KSCIAA started out as a small post rock solo project of transgender multi-instrumentalist Willow S., and, after going a lot of members, ended up as a neoclassical 2-piece made up out of Julian D. on violin and Willow S. on production, piano, celesta and cello. Within a relatively short time, they released two EPs, "Dreams - Ending - Redemption - Liberation" and "This Is For You", which were received well, and later promoted by the web label Just Noise Music. Sadly, shortly after, Julian quit the project, leaving Willow to finish the first, and final, full album, "Autumn is Ending" by herself, along with a guest violinist and vocalist.
KSCIAA is a neoclassical crossover powerhouse that combines fragile string and piano arrangements with harsh, inorganic electronic sounds and chopped up field recordings, drawing influence from composers such as Kashiwa Daisuke, Olafur Arnalds and Yann Thiersen as well as the half-step thumping drums of various electronic producers like Willow Beats and Eskmo. Autumn is Ending is a collection of works from over several years that Willow, the projects founder, describes as attempts to create short movies without video, processing themes such as her mental illness, trauma, abandonment, feelings of being lost, but also hope and recovery.
Currently, Willow is donating all proceeds to Sacred Stone Camp, in protest of the Dakota access pipeline.
- 5th Of April (Intro Cut) - 03:10
- Freefall - 04:00
- Apocalypse Dawn - 04:56
- As We Stood Among The Trees - 04:18
- A Dance For Two - 03:18
- Around The Corner (Soundtrack) - 03:55
- This Familiar Place - 04:21
- Home (feat) - 03:05
crossover, experimental, soundtrack, ambient, cello, indie, neoclassical, postrock, strings, violin
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver