In the middle of México, in the Capital of the Country, north of the so called “City of Hope” Rafael Gtz. Under the nickname: Elvaan Ibanfure rises as an alternative with a totally aggressive, contradictory and defiant proposal for the social context in which it develops.
Elvaan Ibanfure, with a long career as a musician and singer with some of the most unique and original bands in México (All You Hate) and Arda is now exploring the music world as a solo artist, confronting his own mind and maturity, maturity that has been cause and result of some series of tragedies and events that, with time, allowed him to extend his consciousness and made him aware about social decadency, which goes over borders and infest the whole planet.
Upon the reality in which he lives, a strong feeling of impotence arises, that began to take form in his mind and heart, in front of the apparent inevitable destruction of life, men, nature and universal virtues, and then realizing that the only possible way to make a significant change in the environment, it’s creating a massive “wake up” expressed in one of the branches of the human language… Music.
Elvaan then created a rich universe in which all of his songs take place, the world of "Nothing" where an accidental god soon realizes that his creation should not be taken lightly.
This is the world of "Sheol"
Elvaan Ibanfure tempts people to be free to love and hate, without prejudices, always searching the evolution of the spirit & never to give up.
Several demo songs are now under his sleeve, and now Elvaan Ibanfure launches his first official material, under the name of "The Wolves Are No Longer Howling". A 5 minute instrumental opus that transcends the borders of Rock & Metal, showing the world, his unique and singular style of aggressiveness, despair, pain, hate, love and thirst of justice and change. With catchy and powerful guitars, deep and vibrant bass lines, explosive drums charged with rhythm and the finesse and class of strings and brass sections makes it clear that this is music for the intelligent, music for the elite. This is his new vision of Metal, his particular vision of Music.
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
KSCIAA started out as a small post rock solo project of transgender multi-instrumentalist Willow S., and, after going a lot of members, ended up as a neoclassical 2-piece made up out of Julian D. on violin and Willow S. on production, piano, celesta and cello. Within a relatively short time, they released two EPs, "Dreams - Ending - Redemption - Liberation" and "This Is For You", which were received well, and later promoted by the web label Just Noise Music. Sadly, shortly after, Julian quit the project, leaving Willow to finish the first, and final, full album, "Autumn is Ending" by herself, along with a guest violinist and vocalist.
KSCIAA is a neoclassical crossover powerhouse that combines fragile string and piano arrangements with harsh, inorganic electronic sounds and chopped up field recordings, drawing influence from composers such as Kashiwa Daisuke, Olafur Arnalds and Yann Thiersen as well as the half-step thumping drums of various electronic producers like Willow Beats and Eskmo. Autumn is Ending is a collection of works from over several years that Willow, the projects founder, describes as attempts to create short movies without video, processing themes such as her mental illness, trauma, abandonment, feelings of being lost, but also hope and recovery. Currently, Willow is donating all proceeds to Sacred Stone Camp, in protest of the Dakota access pipeline.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.