"Echoes Across The Sky" was formed in late 2011 as an alternate project for musician Craig Siegelbaum. Craig known mostly for his guitar work in rock bands Supergenius and Half Circle Drive as well as his solo guitar instrumental project. With "Echoes Across The Sky," Craig broadens his musical landscape. In fact there is very little guitar used in the music. It's a more of a piano and string based sound with thunderous drums and bass. The debut EP is was released in October 2012. The EP was very well received. With downloads from all over the world already. Echoes Across The Sky is just starting to take off. The debut full length album "The Growing Distance" was released on 5.5.15 and is available at all digital retailers. The sophomore album "Rise" was released 1.1.18 and is also available at all digital retailers and streaming services.
'1491' is the story of man climbing up the volcano Hekla to reach its summit (1491 meters). He won't succeed but understand while looking at the sky below that the most important thing is not to touch the stars but to keep on climbing on, doing things.
Sébastien Touraton runs the project heklAa since 2010. His music is piano-based and influenced by different genres, from post-rock to movie music in a neo-classical outfit. His next album is called '1491' and releases on Jan.11.
Lavender Child's new single “Happy Illusions” was inspired from a weekend at an outdoor music festival. It is a song about the experience of love and the human connection to nature and whether that connection can be genuine when under the influence. “Happy Illusions” comes from the upcoming album "Reflections" which revolves around those moments of self-reflection where you ask yourself, how am I contributing to this world? How are my actions influencing the environment and the people around me?"
Hours alone. Low lights, late nights, and soft melodies.
This is how NH-born composer Brad Couture crafts his music from start to finish - writing, playing, recording, and mixing all his own material in the isolation of his studio. From the first hammer strike on piano string, to the last synthesizer wrapping up all in a warm blanket, his sonic structures are constructed with care - emotionally inspired and acoustically defined.
From the sparse, ambient piano arrangements stretching to full orchestral swells backed by chiming guitars, his melodically driven songs weave uplifting crescendos with melancholic introspection to paint cinematic soundscapes.
With the release of Brad’s new album, Lower Tones, Brad has drawn additional inspiration from neo-classical styles of composition, replacing some the roaring guitars and pounding drums of previous releases with the gentle swells of ambient noise and solo cello. Lower Tones provides the perfect atmosphere to plug in earphones, and unplug from the world.
This is Brad Couture's a first full length album - He wrote, played, recorded and mixed every song himself.
Blair Coron is a musician and composer residing in Glasgow, Scotland, blending the borders between contemporary classical music, ambience, flourishes of electronics, folk and poetry and with the aid of a string ensemble his primary intention is to create enchanting atmospheres that sets course for introspection.
When he is not performing with the band, he regularly collaborates and composes for those in the other arts with a keen interest in how the arts can be translated between one another. Currently he is scoring the soundtrack to a play by Andrew Edwards (winner of the Roxy Theatre award), which will be performed throughout the whole of the Edinburgh Fringe Festival.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.