Chicago-based Floral Couches, the project of Cody Gray, released his new album Electric Fever in August. One of the album's highlights, “Ketamine Dreaming” is a nice display of Floral Couches’ late-night atmospheric development and knack for emerging, twinkling hooks — present here just past the one-minute mark, with twangy guitars entering the fold shortly thereafter.
Floral Couches' debut album came in 2016, with Not Quite Your Type. "I recorded all of it in a Logan Square bedroom over the course of a 16-month span and it was just a totally weird pop album. The cohesiveness was nonexistent but it was really just me experimenting with my own sound."
From there, Cody decided to pursue a more electronic-minded sound. Shortly, he had three songs written with synths and buzzsaw basses, and put them in a folder called "Electric Fever". That name stuck, and after a year Cody had his second album, Electric Fever. "I never had any plans to play live shows since i dealt with bad performance anxiety in the past and just didn't have any friends in Chicago to perform with. When I met my best friend Conor we just worked out how the hell two people could perform this stuff live and we've been performing for about five months."
Both tracks (as well as every other Floral Couches track) were recorded and mixed using only instruments and VSTs in Logic, including the guitars. "I was broke when I first started recording under Floral Couches and decided I was going to fully exhaust Logic of everything I could do with it before I purchased new equipment or instruments," Cody explains. "About half of Electric Fever actually has some serious track bleed on the vocal takes because while I was recording "Now You've Done It", my headphones broke and I couldn't afford to get another pair for a while. I was going to redo the vocals, but I liked the washed-out sound that it had produced and decided to keep them as is. "
Per Cody, "Ketamine Dreaming" is the only really sad song on the album. "A week before Christmas 2016 our dog passed away unexpectedly and I just totally lost it. I emailed my boss that I wasn't going to be going into work for a while and nobody saw me for about two weeks. When I was in high school and college I was dealing with peak depression and anxiety and I was absolutely coping by drinking myself stupid. I stopped drinking for the most part after college... During that two weeks of intense grieving I basically kept myself sustained on beer and cheese (I'm a Wisconsin boy at heart). It was the first time since I had graduated college that I was trying to just escape from what was happening in my life. I wrote the lyrics to capture that escapism mentality... "I don't need to feel pleasure/ and anything's better than this" was exactly what I had going through my head."
Tafari Anthony's new single "To The End" was created according to him for anyone pushing to accomplish their dream while working through their own self-sabotage.
"Over the course of my childhood and adolescence, I realized I was gay. I felt pressured by my family and the industry to accept that I would have to become what was expected of a young black man. With the expectation of fitting into the status quo, I focused on a more urban R&B sound, where I began to find some local success.
However, that success came at a price and I found out quickly that hiding my true self from those I loved was taking its toll on my personal life and inevitably my music. I found some relief when I started to meet writers and producers who didn't feel the need to force me into one specific genre but instead encouraged me to discover and explore many forms of musical expression. It was during this time I started to become more comfortable with myself musically, which ultimately lead to becoming more confident in my personal life.
I attribute my recent accomplishments to overcoming those expectations placed upon me by others and I’m grateful for those who helped support me to find the courage and confidence to live honestly with my convictions."
"TRE is a music composer and producer from India. He has a very chilled vibe to his tracks with some fresh new sounds to his electronic music work. The music created by TRE has a great composition value with his chilled melody tunes and sweet Bongo work. This perfectly gives a great summer vibe to his tunes. He recently remixed an official track with Texas Pop/Rock band "January May" for the track "The Road". He is definitely on his way to create more new sounds with his electronic project TRE."
Grej is the solo project and performing pseudonym of Greg Harrison, a Canadian-based percussionist from Fredericton, NB. This is Grej's first single and video “Part 3” of the new album i/Variations. The video was choreographed /performed with dancer Mateo Galindo Torres with artist Carlos Delgado. It explores the process of expressing and absorbing rebellious actions. The work is built from traditional Colombian folk songs, which cater to the perpetual rhythmic layers. This eventually gets swallowed by waves of synth and bowed metal objects - the thematic motif of the album. The album is a four part project where each musical work navigates through a physical and emotive journey that features manipulated cymbals and a Roland Juno synthesizer.
This self-produced EP is the first work by Go Ask Alice: eight instrumental tracks, composed between 2012 and 2013, recorded and mixed by Matteo Spinazzé, in collaboration with Curzio Ferri playing drums and Andrea Oggiano with his acoustic guitar. Perfection is terrible is the first verse of Sylvia Plath's poem "The Munich Mannequins". "Perfection" here is completeness, closure, inability to evolve and reborn, perfection is death. Perfection is indeed terrible, can't have a child, just as Plath's Munich Mannequins, cold marble statues, beautiful and perfect, frozen with us in a never ending present, the immense futureless present of the "capitalist realism": the end of history.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’