“Inches Apart” is a single from Brooklyn’s Magana, accompanied by a stunning new video from director Lauren Finerman (New York City Ballet) and backed by exclusive remixes from Frog and Benjamin Shaw. Magana’s debut EP, Golden Tongue, found praise and support from The Line of Best Fit, London In Stereo, yvynyl, BBC, GoldFlakePaint, IMPOSE, The Le Sigh, The Deli Magazine and many others.
Haunted and emotional, “Inches Apart” touches on the work of St. Vincent, Diane Cluck, Sharon Van Etten and Rebecca Moore. It's heartfelt and emotional music with ghosts whispering through the walls.
Roberto Horns has been writing/producing songs for over 10 years. He grew up playing trumpet (hence the Horns surname) and over the years has worked with some of the industry's best producers (Tricky Stewart, Polow Da Don, JR Rotem, NO I.D.). He plays all the instruments, writes all the songs and makes all the videos himself -- including the upcoming video for new track "Hostage". he decided to start releasing his own records about two years ago. "'Hostage' is a song for all of us that get trapped in the friend zone and can't seem to escape," Roberto explains. "It's a fun video that gives a glimpse of what dating might be like in the future."
True Gents are an 8-piece band from Scotland with a special vein of atmospheric, psych-infused jangle-pop. Formed by school-mates Euan Nicol and Toby Jeffery in 2006, True Gents would meet up in the haunting woods of lnvermay, Perthshire and work on songs late into the night upon formation. Shortly after beginning to write songs together, the duo entered and won a singer/songwriter competition at Perthshire Amber - The Dougie MacLean Festival. Over the past few years, Jeffery/Nicol have been working hard to continually progress as writers by introducing different elements into the band and adapting their styles. Working with talented local producers like Robin Wynn-Evans (Manic Street Preachers, Sam Brown, The View, Dodgy), and David Macfarlane (Red Pine Timber Company, The New Madricis), True Gents have created a back catalog of music which has received warm reviews over the years. Having gone down an alternative-folk route in the past with their self-funded EP in 2009 and their debut album 'In the Dark we Set Sail' in 2013, the band are now set to release their latest piece of work 'Blood Moon'.Their lineup changed not so long ago. Original members remaining include Jeffery/Nicol (guitar, vocals) and Ian Scobie (accordion/psychedelic keys). With the introduction of Stu (the thunder) Bennett on lead guitar, the hard-hitting Toole brothers on the rhythm section, and Rea Pirnie/Rosemary Stanford on backing vocals, the act's sound is more striking than ever. Again self-funded by the band, 'Blood Moon' will be the band's most rock-oriented sound to date with indie, folk-rock and psych-pop influences, ranging from many of the band's influences such as Turin Brakes, The Byrds, Magnolia Electric Company, Spiritualized, Andrew Bird, Sufjan Stevens, and more.
“WHIPLASH” is Maya Killtron's third single. It’s from her "Never Dance Alone" project and it encompasses all her memories of summer sounds growing up in Brampton, Ontario. Touches of elastic funk, roller rink dance, new jack swing and candy coated pop stand shoulder to shoulder with the modern electronic production.
"The song comes from the first time I heard Michael Jackson’s PYT. It was in my driveway one July and my Dad let me take our little radio outside while I washed the car. PYT jumped out of the speakers and pretty much changed my ears forever. I never listened to music the same way again. As with my other singles from the Never Dance Alone project - “Bad Decisions” and the title track - I wanted to pay tribute to my influences while making each song my own. When you hear “WHIPLASH”, you feel a memory but you also unmistakably hear Killtron."
Off the new album 'We Are A Curse', “Neanderthals” is a new track release from The Dream Eaters, the project of Jake Zavracky and Elizabeth LeBaron (formerly known as ‘Jake and Elizabeth’). Both share vocal duties on this track, in addition to the anthemic choir effect to the chorus, which lends a nice element to the already-soaring hook. With polished production emphasizing the eclectic nature of quality chamber-pop, from the twinkling choir around 02:40 to the infectious percussive stuttering effect in the first verses, “Neanderthals” is an impressive project from a quickly rising duo with heaps of potential.
The Dream Eaters' story began in 2015. After playing clubs with various projects and languishing in obscurity for years in his hometown of Boston and later in New York City, Zavracky decided to stop performing completely. Then, while working as a bartender at a dive bar in Brooklyn. he met LeBaron, another bartender who had just relocated from Vancouver Island, BC. Discovering that they were fellow musicians, they began to collaborate and found an instant connection.
As a composer and producer, Zavracky began writing songs for LeBaron to sing alone but soon found their voices blended together in harmony to create a wholly unique sound. The duo released several singles and EPs under the name Jake and Elizabeth, changing it to The Dream Eaters before the release of their self-produced debut EP 'Five Little Pills'. A bare-bones production that they self-recorded and released, it was a precursor to the sound that is now fully realized on their full-length debut album,' We Are A Curse', which was released on April 14th, 2017.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’