Grej is the solo project and performing pseudonym of Greg Harrison, a Canadian-based percussionist from Fredericton, NB. This is Grej's first single and video “Part 3” of the new album i/Variations. The video was choreographed /performed with dancer Mateo Galindo Torres with artist Carlos Delgado. It explores the process of expressing and absorbing rebellious actions. The work is built from traditional Colombian folk songs, which cater to the perpetual rhythmic layers. This eventually gets swallowed by waves of synth and bowed metal objects - the thematic motif of the album. The album is a four part project where each musical work navigates through a physical and emotive journey that features manipulated cymbals and a Roland Juno synthesizer.
This self-produced EP is the first work by Go Ask Alice: eight instrumental tracks, composed between 2012 and 2013, recorded and mixed by Matteo Spinazzé, in collaboration with Curzio Ferri playing drums and Andrea Oggiano with his acoustic guitar. Perfection is terrible is the first verse of Sylvia Plath's poem "The Munich Mannequins". "Perfection" here is completeness, closure, inability to evolve and reborn, perfection is death. Perfection is indeed terrible, can't have a child, just as Plath's Munich Mannequins, cold marble statues, beautiful and perfect, frozen with us in a never ending present, the immense futureless present of the "capitalist realism": the end of history.
“Inches Apart” is a single from Brooklyn’s Magana, accompanied by a stunning new video from director Lauren Finerman (New York City Ballet) and backed by exclusive remixes from Frog and Benjamin Shaw. Magana’s debut EP, Golden Tongue, found praise and support from The Line of Best Fit, London In Stereo, yvynyl, BBC, GoldFlakePaint, IMPOSE, The Le Sigh, The Deli Magazine and many others.
Haunted and emotional, “Inches Apart” touches on the work of St. Vincent, Diane Cluck, Sharon Van Etten and Rebecca Moore. It's heartfelt and emotional music with ghosts whispering through the walls.
Roberto Horns has been writing/producing songs for over 10 years. He grew up playing trumpet (hence the Horns surname) and over the years has worked with some of the industry's best producers (Tricky Stewart, Polow Da Don, JR Rotem, NO I.D.). He plays all the instruments, writes all the songs and makes all the videos himself -- including the upcoming video for new track "Hostage". he decided to start releasing his own records about two years ago. "'Hostage' is a song for all of us that get trapped in the friend zone and can't seem to escape," Roberto explains. "It's a fun video that gives a glimpse of what dating might be like in the future."
True Gents are an 8-piece band from Scotland with a special vein of atmospheric, psych-infused jangle-pop. Formed by school-mates Euan Nicol and Toby Jeffery in 2006, True Gents would meet up in the haunting woods of lnvermay, Perthshire and work on songs late into the night upon formation. Shortly after beginning to write songs together, the duo entered and won a singer/songwriter competition at Perthshire Amber - The Dougie MacLean Festival. Over the past few years, Jeffery/Nicol have been working hard to continually progress as writers by introducing different elements into the band and adapting their styles. Working with talented local producers like Robin Wynn-Evans (Manic Street Preachers, Sam Brown, The View, Dodgy), and David Macfarlane (Red Pine Timber Company, The New Madricis), True Gents have created a back catalog of music which has received warm reviews over the years. Having gone down an alternative-folk route in the past with their self-funded EP in 2009 and their debut album 'In the Dark we Set Sail' in 2013, the band are now set to release their latest piece of work 'Blood Moon'.Their lineup changed not so long ago. Original members remaining include Jeffery/Nicol (guitar, vocals) and Ian Scobie (accordion/psychedelic keys). With the introduction of Stu (the thunder) Bennett on lead guitar, the hard-hitting Toole brothers on the rhythm section, and Rea Pirnie/Rosemary Stanford on backing vocals, the act's sound is more striking than ever. Again self-funded by the band, 'Blood Moon' will be the band's most rock-oriented sound to date with indie, folk-rock and psych-pop influences, ranging from many of the band's influences such as Turin Brakes, The Byrds, Magnolia Electric Company, Spiritualized, Andrew Bird, Sufjan Stevens, and more.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.