Steven K. Smith has more than 20 recording to his name both solo and collaboratively. He was the founding member of the post rock outfit MABOU from Cleveland, Ohio. His also worked with Jason Sloan in the acclaimed dark ambient project DOLMEN. In addition to A Signal In The Static he is a member of SPIRICOM with Columbus, Ohio guitarist Marc Cody. Smith lives outside of Kent, Ohio on a farm with his wife and a menagerie of animals.
A Signal In The Static is a sonic flood whose immense current blurs the line between cleansing and obliterating. The unrelenting, multi-textured wash of synthesizers and heavily processed guitars is propelled by expansive, driving bass and percussion that is equal parts primal and mechanical. Throughout its massive presence, A Future Remembered swells with layers of melody that penetrate its dense landscape and supply a constant tidal force. As the galactic waves surge and dissolve, they purge the earthly terrain in their wake.
Dan Caine is ambient/post-rock musician from Merseyside, England. A pioneer in the movement, Caine uses powerful, layered guitar melodies to create an atmosphere of an intense range of thought and emotion as he explores the depths of the human psyche. His music is a free-flow of subconscious urge and instinct; a deep dive into the unhindered world of the Id. Much like a fine wine, these meditative works expose more and more of their depth with each listen, and like a mood ring, they morph and change to reflect the state of the listener perceiving them. Caine’s music is also richly melodic and is layered with vibrant textures, created primarily from his collection of guitars, producing brooding atmospheres and serene sonic landscapes.
The Jackson Pollock of ambient post-rock, Caine is a master of breaking music down to its most basic elements and arranging them in a work of abstract purity. This enables the listener to explore their own connections to the sound and engage with the piece less as a listener, and more as an observer of aural art. His music is broad and guiding, yet flexible and undemanding, allowing the observer space with which to process their own humanity within it.
Dan Caine, born in 1988 in Wirral, England, first picked up the guitar at age 15, inspired by a lot of alternative music, as well as his own father who played the classical guitar. He has had no formal musical training or tutoring, save for being taught a few basic chords from his father. He realized early on that making music was a great way of expressing himself and began recording his experimentations as a hobby. Eventually, in 2013, he published his first album, “Ephemeris”, which was a collection of some of his best ambient pieces that he had made of over the previous years. Since then, his music has evolved and has primarily drawn on influences from ambient, post-rock and new-age music.
Tuber grew up in a sunny place, south of Greece, on an island called Crete. They were hiding from the sun, jamming in dark studios and playing their music in rock caves. As they moved north, sounds became lighter, since they started to miss the hot ground. The balance came as a result of smash, dark embraced light and improvisation turned into an effortless and instinctive process. Tuber moved their interest into new forms, founding themselves experimenting with compositions that combine mixed styles and sounds from a different ground. A focus is now on rock aesthetic flirting with psychedelic atmosphere and a touch of romantic mood. At this time Tuber live in Serres, forming their feelings and thoughts into music and words, still learning how to leave with reality and reinventing it with love.
PILLARS is an American four piece indie rock band from Indianapolis, Indiana. Formed in early 2015 by guitarist/vocalist Marc Ertel (former member of Spicolie, The Bowels of Judas, Heathens) and bassist Nason Frizzell (former member of ReVera, Asking Autumn), they quickly recruited Justin Williams (former member of ReVera, Asking Autumn) and Zach Frizzell (former member of Anapparatus). Each member comes from various musical pasts and this diversity has fostered a unique sound that blends indie rock, post hardcore, and alternative rock. PILLARS have become very deliberate in pushing to defy the normal restrictions of a definable genre with renewed vigor and passion.
While Arturo Mockertino (drums) once was in Diluvia, a dream rock band from Queretaro, MX, there was a special chemistry going on. He eventually left this band to focus on his job. Diluvia continued, and continues. Coming back from a trip to Seattle, Arturo contacted Richee (guitar) to jam again. They booked studio hours, and every session was a magical free flowing of music. With some songs, Jerry stepped in on bass. With the line up complete, and the magic happening, they recorded their debut EP.
With nothing else in mind, other than let the music flow and speak for itself, Betta EP is the debut project of Sinnk. It is a really soothe listening if you're into post rock, and 90's influences. The record makes a good balance, with predominantly nostalgic moods, and sparks of hope. You can hear a link between Diluvia , but without the vocals. Instead you get a pure instrumental, almost chilli sound, but with rockin' force record.
MInimalism, no over production, back to basics attitude. What you listen to live is what you get. And certainly, you don't need any more.
With only 5 tracks, this debut EP leaves you wondering what will come next, what will the next step will be for this "newborn" band. A pretty good start.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’