While Arturo Mockertino (drums) once was in Diluvia, a dream rock band from Queretaro, MX, there was a special chemistry going on. He eventually left this band to focus on his job. Diluvia continued, and continues. Coming back from a trip to Seattle, Arturo contacted Richee (guitar) to jam again. They booked studio hours, and every session was a magical free flowing of music. With some songs, Jerry stepped in on bass. With the line up complete, and the magic happening, they recorded their debut EP.
With nothing else in mind, other than let the music flow and speak for itself, Betta EP is the debut project of Sinnk. It is a really soothe listening if you're into post rock, and 90's influences. The record makes a good balance, with predominantly nostalgic moods, and sparks of hope. You can hear a link between Diluvia , but without the vocals. Instead you get a pure instrumental, almost chilli sound, but with rockin' force record.
MInimalism, no over production, back to basics attitude. What you listen to live is what you get. And certainly, you don't need any more.
With only 5 tracks, this debut EP leaves you wondering what will come next, what will the next step will be for this "newborn" band. A pretty good start.
Hors Sujet is the solo project of Florent Paris, started in 2006. Stories told through shapes, noises, feedback and landscapes. Hors Sujet is proud & excited to announce the release of its new EP, "Seuls les moins humbles en hériteront", a 2-songs EP for 21 minutes of drone and post-rock, recorded between november 2016 and january 2017 in Toulouse, France.
Martyn Jackson is a Neo-Classical/Post-Rock composer and musician from Portishead (Bristol). His previous releases include the 2013 release of "Home", and the score for the 2016 BBC short film "Leonard's Neighbours".
Following up from his last release, "Still", Martyn Jackson has continued with his minimalist approach to composition. The EP "Bedroom Ghosts" comprises of 6 neo-classical compositions, written and recorded over a period of 2 months with minimal production. For fans of Ólafur Arnalds, Nils Frahm, and Ludovico Einaudi.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.