There is music that can make you want to dance. There is music that can make you happy or emotional, and sometimes even sad. But in a very niche corner of the musical spectrum dwells a type of music that can make you visualize your own story while listening to it. “Soundtrack To Your Own Fantasy,” a split album by Indian music producer Arka Sengupta aka Mixtaped Monk and British ambient music legend Cousin Silas, is a record that falls into that very musical spectrum.
Bordering around ambient, post-rock and experimental music, the album blends ambient and cinematic music sensibilities of Cousin Silas with the experimental-minded post-rock sensibilities of
Mixtaped Monk. The cinematic nature of the album, when listened to as a whole, can trigger your mind to imagine your own fantasy world and play out a story in it while the album acts as its soundtrack.
In the middle of México, in the Capital of the Country, north of the so called “City of Hope” Rafael Gtz. Under the nickname: Elvaan Ibanfure rises as an alternative with a totally aggressive, contradictory and defiant proposal for the social context in which it develops.
Elvaan Ibanfure, with a long career as a musician and singer with some of the most unique and original bands in México (All You Hate) and Arda is now exploring the music world as a solo artist, confronting his own mind and maturity, maturity that has been cause and result of some series of tragedies and events that, with time, allowed him to extend his consciousness and made him aware about social decadency, which goes over borders and infest the whole planet.
Upon the reality in which he lives, a strong feeling of impotence arises, that began to take form in his mind and heart, in front of the apparent inevitable destruction of life, men, nature and universal virtues, and then realizing that the only possible way to make a significant change in the environment, it’s creating a massive “wake up” expressed in one of the branches of the human language… Music.
Elvaan then created a rich universe in which all of his songs take place, the world of "Nothing" where an accidental god soon realizes that his creation should not be taken lightly.
This is the world of "Sheol"
Elvaan Ibanfure tempts people to be free to love and hate, without prejudices, always searching the evolution of the spirit & never to give up.
Several demo songs are now under his sleeve, and now Elvaan Ibanfure launches his first official material, under the name of "The Wolves Are No Longer Howling". A 5 minute instrumental opus that transcends the borders of Rock & Metal, showing the world, his unique and singular style of aggressiveness, despair, pain, hate, love and thirst of justice and change. With catchy and powerful guitars, deep and vibrant bass lines, explosive drums charged with rhythm and the finesse and class of strings and brass sections makes it clear that this is music for the intelligent, music for the elite. This is his new vision of Metal, his particular vision of Music.
Nathan Kairis is a composer and multi-instrumentalist based in Asheville, NC. He crafts pieces of music made to bounce off all the nearest peaks of the Appalachian Mountains, like shouting at those surrounding monoliths and listening to the evolution of your own echoes. Each of Nathan’s compositions are reflective, expansive, and imaginative in a different manner than the last. The excitement at the first tremble of thunder, the loneliness of a tundra stretching forever before you, the gentle joy of life with loved ones, and the dynamic interplay between all of these feelings. That is the music of Nathan Kairis.
Acherontia. The Death’s Head Hawkmoth. This album is about disconnection, reconnection, and fluttering between the two. The vibrations between these two emotions can be violent and visceral, or almost calming in their agitation. Here is where we find the shuffling trudge of “Solipsism”, straining pressure of “Surface Tension”, and the breakthrough of the title track. Acherontia is a sonic exploration of what happens in between, a transitory stage that most of us just want to get through.
Hours alone. Low lights, late nights, and soft melodies.
This is how NH-born composer Brad Couture crafts his music from start to finish - writing, playing, recording, and mixing all his own material in the isolation of his studio. From the first hammer strike on piano string, to the last synthesizer wrapping up all in a warm blanket, his sonic structures are constructed with care - emotionally inspired and acoustically defined.
From the sparse, ambient piano arrangements stretching to full orchestral swells backed by chiming guitars, his melodically driven songs weave uplifting crescendos with melancholic introspection to paint cinematic soundscapes.
With the release of Brad’s new album, Lower Tones, Brad has drawn additional inspiration from neo-classical styles of composition, replacing some the roaring guitars and pounding drums of previous releases with the gentle swells of ambient noise and solo cello. Lower Tones provides the perfect atmosphere to plug in earphones, and unplug from the world.
This is Brad Couture's a first full length album - He wrote, played, recorded and mixed every song himself.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’