Lazybones Flame Kids is a four-piece post-rock band from Sardinia. They mix the atmospheric touches of instrumental rock with the emotional pull of classic post-rock repetitive arpeggios. Their music is mainly instrumental, although sometimes they scream and whisper in a typical narrative mood. Their debut album L.F.K has been released in February 2016 under Coypu Records Recorded at Corlo (FE), at Emanuele Fusaroli’s recording studio with artistic producer Gabriele Boi (The Rippers and The Mojomatics). The album was anticipated by the singles A Ride in an Amusement Park, a tribute to one of the best American stand-up comedians of all time, Bill Hicks, and Too Close, a collaboration with the Sardinian folksinger Beeside. L.F.K is all live recorded, with few overdubs, and it is a completely analogical album. Theband decided to use mixers, instruments and echo tapes from 60s-70s to give the album original vintage sounds and atmospheres with evocative texture and fragile, solemn, compact and fascinating song.
Interns’ first incarnation came to be in 2013 as a side-project between bassist Christian Harris and guitarist Andrew Reinhardt while playing together in the Louisiana-based jazz collective The Telegraph Salesmen, along with the leader of the group, Carter MacFarland, on drums. Many of the songs featured on Vanity Mirror were written during this time period.
The group dissolved in 2014, as Harris and Reinhardt separated geographically. After a three year hiatus, the two found themselves both living in Austin, Texas. With the addition of drummer James Bauer and guitarist Cole McDonnell, the group began to rework and refine the existing material, as well as write new music. The music combines the atmospheric nature of modern post-rock built around a classic psych framework.
Interns recorded their first studio album Vanity Mirror at Earthship Studios in Baton Rouge, with recording engineer and producer Benjamin Livingston. The album features guest musicians Sungkyung Woo, violin, Blayke Weatherford, vibraphone, and Carter MacFarland, keyboards.
Vanity Mirror was released on February 21st, 2017, and is available on all major streaming platforms. A physical release is to follow.
Interns aim to frame the ambient, spacey goodness of post-rock around a structure that is easily digestible for listeners of any background. Like much of their peers, they forego lyrics in an attempt to let their instruments convey their thoughts and emotion.
Ordeal & Plight are an instrumental Post-Rock/Doom Metal band from Germany. Formed in 2012 by K and black metal band Black Horizonz guitarist H, Ordeal & Plight began as a project experimenting on combining post-rock with black metal and doom metal elements. Joined by bass guitarist R, the band began recording their first demos in the Dunkelkammer Studios in Kamen, Germany, leading up to their self-titled debut record. Mixed and recorded at Fragment, Dortmund, in 2016, the album Ordeal & Plight was released on Chaosthrone Records on January 13th, 2017.
Three-piece post-rock/doom metal band Ordeal & Plight released their self-titled debut album on Chaosthrone Records. Almost 5 years in the making, the album explores contrasts: uplifting post-rock anthems ("Your Patience") arise from devastating swamps of doom ("Nine Years"), crisp melodies soar over heavy, gloomy chords. Coming from different musical backgrounds such as jazz, folk, or black metal, Ordeal & Plight's members experiment with each of them to create a sound that is both light and clean, heavy and dark, and takes listeners to muse over the boundaries and overlaps of memory and premonition ("Mnemosyne"/"Lethe"), and life and death.
Mixtaped Monk is a one-man DIY music project by journalist and music producer Arka Sengupta. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, Arka not only expresses himself as a music producer but also as a writer and a visual artist.
Right from the time he was in school, Arka had an immense fascination for anime. And that led to his (almost) obsession with Japanese culture. It all started with Naruto and Naruto Shippuuden. But when he watched Rurouni Kenshin for the first time, he was fascinated with the way the city of Kyoto was portrayed in the anime. And so he began researching the city, its current form and the long history associated with it. Since then, from time to time, he's had these dreams about the city. Sometimes they were associated with historical events and sometimes with the modern era. But in all, they were always so vivid that he could literally feel the profound beauty and heritage of Kyoto within him.
Through DREAMS OF KYOTO, Arka has tried to provide a soundtrack for the nature of the dreams he has of Kyoto.
Man Against Mankind is a "one-man-band" project from Hungary. The project started the in 2015, November, as an experiment to see if it could create anything that could be called atmospheric, or ambient, or post-rock. The project has been running for more than a year now, and has released 6 albums so far.
'Have you ever felt like leaving behind this planet, travelling throught the solar system and not stopping until you have reached interstellar space? I have. This happened. Space has always inspired me, the idea of exploring the unkown is both exciting and petrifying. Also, space is so vast, that there is no such word which could describe it's emptyness. Therefore, if someone wants to get away from the problems and troubles of their everyday lives, space is an ideal place. 'Singularity' is kind of a concept album, where we leave behind our home planet and aim for the edge of the solar system."
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.