Wilder Gonzales Agreda (native from Los Olivos, North Lima, Peru) begun his music career in 1995 with his first band Avalonia (with Fernando Ponce, Fabián Escalante and Óscar Pita) and, after the brokenhearted split of this early avatar, with Fractal (alongside Wilmer Ruiz and Hugo Medina). Both groups were part of the new peruvian avantgarde history born with the post-rocker and ethereal scene known as Crisálida Sónica.
In 2003 Gonzales Agreda started the independent neo-psychedelic label Superspace Records and since the 00's has taken part on projects like El Conejo de Gaia, Azucena Kántrix (with Christian Galarreta), The Electric Butterflies (with Roger W. Terrones), The Peruvian Red Rockets (with Luis Durand), Martelenor (with Juan Roldán and Hugo Medina) amongst others.
He has been pursuing a musical ethos that makes him one of the most interesting sound artists from Peru today. Gonzales Agreda has released more than 60 discs by now, on his own label and on other ones across the world like Clinical Archives (Russia), Ruidemos (Spain), TibProd (Poland), Limitada (Argentina), Tape Safe (Belgium), Aloardí (Peru), etc. His music work has received outstanding reviews by such cool magazines like The Wire (U.K.), Rock de Lux (Spain), Decoder (U.S.A.), Vital Weekly (Netherlands), Go-Mag (Spain), Loop.cl (Chile), Losing Today (Italy), etc.
In 2014 he put out the album "Lima Norte Metamúsica" (Superspace Records, 2014) with the artwork done by the inimitable neo-psychedelic painter Anthony Ausgang that has received great critics from the press and begun 2015 with the release of a free download computer music single entitled "Música Anticorrupción". 2016 saw the release of "Scala Mega Hertz" and "Polykroma EP". Recently he has put a new album entitled "Paraísos, Revoluciones y Tú" (2017).
THE NEW DISC BY WILDER IS OUT NOW Paraísos Revoluciones y Tú (2017)
While Arturo Mockertino (drums) once was in Diluvia, a dream rock band from Queretaro, MX, there was a special chemistry going on. He eventually left this band to focus on his job. Diluvia continued, and continues. Coming back from a trip to Seattle, Arturo contacted Richee (guitar) to jam again. They booked studio hours, and every session was a magical free flowing of music. With some songs, Jerry stepped in on bass. With the line up complete, and the magic happening, they recorded their debut EP.
With nothing else in mind, other than let the music flow and speak for itself, Betta EP is the debut project of Sinnk. It is a really soothe listening if you're into post rock, and 90's influences. The record makes a good balance, with predominantly nostalgic moods, and sparks of hope. You can hear a link between Diluvia , but without the vocals. Instead you get a pure instrumental, almost chilli sound, but with rockin' force record.
MInimalism, no over production, back to basics attitude. What you listen to live is what you get. And certainly, you don't need any more.
With only 5 tracks, this debut EP leaves you wondering what will come next, what will the next step will be for this "newborn" band. A pretty good start.
Hors Sujet is the solo project of Florent Paris, started in 2006. Stories told through shapes, noises, feedback and landscapes. Hors Sujet is proud & excited to announce the release of its new EP, "Seuls les moins humbles en hériteront", a 2-songs EP for 21 minutes of drone and post-rock, recorded between november 2016 and january 2017 in Toulouse, France.
Martyn Jackson is a Neo-Classical/Post-Rock composer and musician from Portishead (Bristol). His previous releases include the 2013 release of "Home", and the score for the 2016 BBC short film "Leonard's Neighbours".
Following up from his last release, "Still", Martyn Jackson has continued with his minimalist approach to composition. The EP "Bedroom Ghosts" comprises of 6 neo-classical compositions, written and recorded over a period of 2 months with minimal production. For fans of Ólafur Arnalds, Nils Frahm, and Ludovico Einaudi.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’