MAJJ is an alternative rock band from France. Created in late 2015 under the impulse of Julian and Julien (who previously worked together as "Atlantic Drop"), and quickly joined by Matthieu on drums and Alex on the bass. With an always growing catalog of compositions, the band playeds a series of live shows within the local music scene during 2016 and 2017 and released they debut album "Motion Bloom" on June 21st.
"Motion Bloom" is an album made of 10 songs with atypical structure, that oscillates between dynamic post-rock and shoegaze, with some flavour of math-rock. It was written, recorded, mixed and mastered by the band in the beginning of 2017.
An Ant And An Atom is a solo project of Sean Warkentine, based in Lethbridge, AB, commanding electronic noise, drone, ambient, and post-rock genres into a mass of sound. Having appeared at numerous music festivals including Calgary’s renown Sled Island Festival, Winnipeg's Big Fun Festival, Edmonton's Endless Bummer, and Lethbridge's Electric Eye, he has performed alongside diverse acts, including Big|Brave, R.Ariel, Technical Kidman, Bitter Fictions, Pigeon Breeders, Jung People, Pyramid//Indigo, and recently completed a prairie-provinces tour with the master of ambience, Valiska. Live performances join together An Ant And An Atom‘s love of intricate design and powerful immersion as he crafts slow burning melodies atop hazy vocal samples layered with visceral textures that explode into blasts of noise.
Following the successes of previous EPs and 2016's Entropy, a 24-minute experimental musical work created for an exhibition of art by Lauren Crazybull, new release, Exterior, comes as a new collection of 5 pieces looking outward and upward. With intense mastering treatment by the acclaimed, James Plotkin, this work heads to darker and dronier places than previous releases.
In support of these releases, An Ant And An Atom will be performing a few Alberta dates and across British Columbia with tourmate, FOONYAP, along with dates at the prominent SLED ISLAND FESTIVAL in Calgary, and the EDMONTON NOISEFEST in August. Full dates and show info is listed below:
June 23 - Calgary at Broken City, Sled Island Festival, with Midden & Ursa
June 30 - Tent City at Kinney Earthship, with FOONYAP
July 12 - Vancouver at TBA, with FOONYAP, Echuta, & guest
July 13 - Victoria at Copper Owl, with FOONYAP, Psychic Pollution, Prince Shima
July 15 - Nanaimo at White Room, with FOONYAP & Prince Shima
July 19 - Abbotsford at O'Neill's, with FOONYAP, Gold Gloom, Pacific Coliseum (a.k.a. Teen Daze)
July 20 - Vancouver at Hidden City, with FOONYAP & Hazy
July 21 - Kelowna at Summerhill Pyramid Winery, with FOONYAP & Neon Runner
July 22 - Vernon at Record City, with FOONYAP & Murphy Luzod
July 23 - Ymir at The Ymir Schoolhouse, with FOONYAP & Murphy Luzod
August 26 - Edmonton at The Ortona, Edmonton Noisefest
FOONYAP is announcing a new remix EP, Apropos, which features one An Ant And An Atom remix of her stunning piece, "Mourning Coup."
An Ant And An Atom has also contributed a track to the new compilation album, "It's More Like An Homage To You," a tribute to the renown Connecticut screamo, power violence, hardcore band, Jeromes Dream, dismantling and reworking one of their intense songs. It is being released on cassette by the Hamilton label, Zegema Beach Records and features 29 of the 3-piece band's songs redone by artists from around the world. All proceeds from the sale of the album will be donated to FLINT RISING COALITION (flintrising.com) in support of the ongoing Flint, MI, water crisis.
My Craft Broke At Launch - 04:56
The Crush Of Gravity - 04:55
Locked In Adrift - 05:59
I Dreamt Of Reaching Space, But Couldn't Calculate The Escape Velocity For Reality - 03:52
Heat Up Another Planet, Burn Out Another Sun - 11:49
Lord Kesseli And The Drums is a band comprising of St. Gallen, Switzerland based maverick multi-instrumentalist Dominik Kesseli and drummer and producer Michael Gallusser. Following on from the release of their self-titled debut EP via celebrated Zurich record label Ikarus Records in the summer of 2016, Lord Kesseli and The Drums have just released their new single, Dear John. The track was recorded at Michael?s QLFM Studios in St Gallen.
Lord Kesseli And The Drums create involved soundscapes with drums, guitar, electronic bass synthesizer and pre-produced samples, which explore stories of human manipulation through consumption, and economics, politics and religion. Drawing from as diverse influences as Beethoven, Portishead, Nirvana, Bon Iver and Radiohead, the band?s sonic output has much in common with the international scene of kraut/psyche/cosmic space cadets such as M83, Connan Mockasin and The School of Seven Bells.
In terms of describing new single Dear John, mastermind Dominik Kesseli defines it as singer-songwriter psycho rave. It mixes narrative lyrical song structure with post electronica textures and atmospherics, and explores the existentialistic breakdown of a tortured soul seeking the redemption of St John. The exploration of religious parables in a secularized context is one of the facets of what is so fascinating about Lord Kesselis output. The suitably haunting video was directed by emerging St Gallen video artist Kaliber and it was filmed on location in the underground of St.Gallen, and in Kalibers studio. Ikarus Records label boss Manuel Clausen features as the protagonist.
Their debut EP release in the UK was met with glowing reviews and airplay, including Tom Ravenscroft featuring the track Arnold on 6Music. Live concert film Waiting For Arnold premiered with Loud and Quiet, and went on to win an award at the prestigious industry festival Austin Music Video Festival in 2016. The band has since toured France, the UK and Switzerland and are about to start touring in Germany. They recently went down a storm at Sounds From The Other City Festival in Manchester.
Lord Kesseli and The Drums will be returning to tour the UK in September 2017.
Mixtaped Monk is a DIY music project by a journalist and music producer (Arka Sengupta) who believes in making music that soothes the mind. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, he not only expresses himself as a music producer but also as a writer and a visual artist.
Being socially awkward since childhood, he always loved solitude. And, in his solitude, the thing which he liked to do the most is discovering music. Be it the cassette of Pink Floyd's “Dark Side of The Moon,” which he discovered, in his uncle's old room, during his early teenage, or the first mixtape that he made for a girl when he was a little bit older, music has always been his sole companion. Gradually, he picked up playing the keyboard and the guitar, started experimenting with music and realized that there is a whole world of possibilities for him to explore. That is how the idea of Mixtaped Monk started.
"Light Of The East EP" is like a tribute to Japan, its rich culture and heritage. Through dreamy atmospheres and intricate melodies, this EP tries to convey different emotions you can experience when you think about or even literally visit various places in Japan such as Mt. Fuji, Osaka, Kyoto and the Akihabara district in Tokyo. Sonically, the instrumental EP borders around ambient and post-rock while taking influences from indie rock, alternative rock and shoegaze music.
Fuji-san - 03:49 Dreams Of Kyoto - 05:34 From Osaka, With Love - 03:28 Akihabara Nights - 04:54
KSCIAA started out as a small post rock solo project of transgender multi-instrumentalist Willow S., and, after going a lot of members, ended up as a neoclassical 2-piece made up out of Julian D. on violin and Willow S. on production, piano, celesta and cello. Within a relatively short time, they released two EPs, "Dreams - Ending - Redemption - Liberation" and "This Is For You", which were received well, and later promoted by the web label Just Noise Music. Sadly, shortly after, Julian quit the project, leaving Willow to finish the first, and final, full album, "Autumn is Ending" by herself, along with a guest violinist and vocalist.
KSCIAA is a neoclassical crossover powerhouse that combines fragile string and piano arrangements with harsh, inorganic electronic sounds and chopped up field recordings, drawing influence from composers such as Kashiwa Daisuke, Olafur Arnalds and Yann Thiersen as well as the half-step thumping drums of various electronic producers like Willow Beats and Eskmo. Autumn is Ending is a collection of works from over several years that Willow, the projects founder, describes as attempts to create short movies without video, processing themes such as her mental illness, trauma, abandonment, feelings of being lost, but also hope and recovery. Currently, Willow is donating all proceeds to Sacred Stone Camp, in protest of the Dakota access pipeline.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.