New LP Horizon by Cosmic Carpool

2017-10-19 16:33:56 UTC

Cvh7k3w

This cosmic journey began life springing from the fretboard of bassist Drew Cranford, whose layered chords, agile arpeggios, and fluid tapping anchors the musical foundation of the project. Starting as a solo artist, Drew's writing focuses on complex riffs and technically demanding performances which produce a unique style of bass playing that challenges the understanding of the role of the instrument itself. Eventually Drew crossed paths with fellow Georgia Tech student Jeff Harrison. An experienced drummer, and somewhat pursuer of good tunes, Jeff instantly connected with Drew’s melodic-centric bass riffs and thus a rhythmic foundation was laid. Over time the duo honed material together, practicing for hours in the basement of a house in Atlanta until eventually the two approached Steve Bledsoe to lead the charge on guitar. A past bandmate and friend of Jeff's, Steve would bring a unique sound to the group, blending classic guitar styles with a more modern, melody focused, vibe.

The three soon coalesced into a well-oiled musical unit, gigging locally around the Atlanta music scene, all the while working out the kinks for the songs that would become the self-published 'Peripheral Sounds' EP. Recorded in whatever spare time the group could afford, the EP served as an early sonic blueprint for the future iteration of Cosmic Carpool. Regrettably, college graduation and subsequent geographic separation became too much to gainfully surmount, and the group amicably parted ways for an indefinite period of time. The members pursued various other musical endeavors, with Jeff and Steve eventually touring together again in a different group. The three remained close friends, however, and would occasionally jam as Cosmic Carpool for a bedroom audience.

Years later, with the disbanding of his touring act, Jeff began experimenting with synthesizers and DAWs developing a deeper understanding of not only music itself, but the underlying technology behind the sounds. Eager to pursue this new passion, Jeff set off to reunite with Cranford and Bledsoe, reinventing Cosmic Carpool into a genre-bending, electronic 'space' rock trio. The group, reinvigorated with fresh songs from Drew's catalog and the sonic possibilities of modern synthesizers, began an intense rehearsal schedule to flesh out what would become 'Horizon'. With Jeff at the console and taking nearly a full year and a half to complete, the resulting LP is a testament to perseverance, and the payoff is huge. The entire record is a joy to listen to from start to finish, and while the songs certainly stand on their own right, the true power of ‘Horizon’ is best appreciated as an entire package. 

Transporting listeners through time and space by way of intricate arrangements, bruisingly heavy riffs, and soaring electronic melodies, Cosmic Carpool is a sonic force quite unlike anything you've heard before. Hailing from Atlanta, GA, the genre-bending trio crafts a unique amalgam of rock, electronic, metal, ambient, and dance into something that is far greater than the sum of the parts. Every note is intentional, every passage designed for maximum feeling. Written by Drew Cranford (bass) and Produced by Jeff Harrison (drums/keys/synths), with Performances by Steve Bledsoe (guitar/mandolin), Cosmic Carpool’s debut full length LP 'Horizon' is an ethereal journey whose cadence is perfectly timed from beginning to end.

Track List


Hello from the Children of Planet Earth - 02:03 info
Horizon - 06:09 info
Big Blue Beast - 07:20 info
Arise - 03:25 info
Beyond 2D - 08:08 info
Interlude - 01:27 info
Phantom Funk - 02:27 info
Nintendose - 09:23 info
Reprise - 07:17 info
Looper - 04:38 info
Metal - 08:27 info


Genre : alternative, cosmic, electronic, instrumental, jam, progressive, rock

| Facebook | Twitter | Bandcamp | SoundCloud | Website |

New EP Triad by groundburst

2017-10-17 05:21:16 UTC

Triad heads%281%29

"Triad" is the new EP from Groundburst, released on September 4th by Out is within records. Groundburst are an instrumental trio from Dublin. Their music combines complex rhythms with lyrical melodies and unusual concepts and draws upon elements of funk, jazz , soundtrack and electronic music.

Track List


  • Law of Fives - 04:37 
  • Parlour Games - 05:46 
  • Mazomba - 04:56 


Genre : instrumental, rock, progressive, film, music, math

| Facebook | Bandcamp | Website |

A Commending Paean for the Forgotten Henrietta Swan Leavitt by Dore Mear Beon

2017-08-16 06:16:57 UTC

A2359026919 16

Dore Mear Beon is a solo recording project by Andrew Sagriff. The project mixes math rock, progressive rock and post rock elements to envelope an intricate yet emotive sound.

"A Commending Paean for the Forgotten Henrietta Swan Leavitt" is a full length album by Dore Mear Beon.  It is  emotive progressive instrumental rock album, layered with an album narrative that explores cosmological and human themes, mixing the personal with the universal which reflects the music's balance of intricate song structures with affective harmonies.

Track List


  • Relations- : Pulsation - 01:46 
  • Relations- : Luminosity - 05:48 
  • Thu Gine - 04:24 
  • Harvard Computers - 04:45 
  • Cygnus - 05:16 
  • Delta Cephei - 05:18 
  • Red Shift - 04:55 
  • Island Universe - 06:08 
  • Magellanic Clouds - 05:22 
  • Mo Iosal - 07:24


Genre : progressive, rock, instrumental, math, post-rock

| Facebook | Bandcamp |

Review for OVUM by Chronotope Project

2017-08-11 06:38:08 UTC

A2359026919 16

Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’

‘Ovum’ “is a concept album that poetically reflects on the nature of beginnings, seeds, and primordial states of being,” Chronotope Project muses in their liner notes. The project is Allen’s attempt to explore the depths of time and space utilizing complex sonic landscapes. Surprisingly, ‘Ovum’ does this particularly well, conjuring longform instrumental pieces that are worth listening to - an impressive feat.

As with any concept album, ‘Ovum’ is best served by being listened to in its entirety. This is quite the commitment given the length, but it gives the best insight into Allen’s creation. The first track, ‘Olduvai Dreams,’ clocks in at ten minutes, making in the album’s most weighty effort. It introduces a very ethereal, mystifying sound. In this track, though, it’s also a very earthy sound. The sound is chock-full of African tribal influence, Native American flutes and percussion, and so much more.

Throughout its ten minutes, ‘Olduvai Dreams’ proves completely enthralling. The title track, on the other hand, proves less accessible, digging its heels deeply into long, drawn out synthesizer sections. The track is best served by a quality sound system due to its slight variations as time goes on, but it’s definitely more nuanced in its accessibility than its predecessor.

‘Mariposa’ is very similar to ‘Ovum,’ providing a sublime dive into angelic, soft-spoken synthesizers. Some of the instrumentation draws very thin parallels to, perhaps, Nordic influence, but by and large ‘Mariposa’ lacks the earthly qualities of ‘Olduvai Dreams.’ The track culminates into a much stronger finale than ‘Ovum’ as well, one that builds as synthesized choruses and a percussion section enter the fray in a beautiful fashion.

‘Primordial’ is a rather beautiful tune, one that harnesses soft, cricket-like sound effects over soft orchestration. It feels like a combination of ‘Olduvai Dreams’ and its familiarity and ‘Ovum’ and its otherworldly nature.

‘Epiphany,’ too, proves a fairly compelling listen, the synth-driven experience is a fascinating one. The same could likely be said for the finale, too, ‘Starry Messenger.’ It is a wonderful ending that pulls flute back into the forefront, likely to strike a contrast to the first song.

‘Ovum’ is, for the most part, a strong effort. The songs are surprisingly intriguing to listen to, which can rarely be said for ten minute instrumentals. The conceptual part of ‘Ovum’ is very subjective and abstract, but it does do a fine job exploring the dichotomy between earthly and celestial sounds. On the whole, ‘Ovum’ is a treat for experimental instrumental fans worth spending time with on a good sound system.

Track List

1. OLDUVAI DREAMS

2. 0VUM

3. MARIPOSA

4. EMANATION

5. PRIMORDIAL

6. EPIPHANY

7. STARRY MESSENGER


Genre : soundscape, ambient, contemporary, progressive

| Facebook | Twitter | Website |

The Wolves Are No Longer Howling by Elvaan Ibanfure

2017-07-31 05:02:30 UTC

A2359026919 16

In the middle of México, in the Capital of the Country, north of the so called “City of Hope” Rafael Gtz. Under the nickname: Elvaan Ibanfure rises as an alternative with a totally aggressive, contradictory and defiant proposal for the social context in which it develops.

Elvaan Ibanfure, with a long career as a musician and singer with some of the most unique and original bands in México (All You Hate) and Arda is now exploring the music world as a solo artist, confronting his own mind and maturity, maturity that has been cause and result of some series of tragedies and events that, with time, allowed him to extend his consciousness and made him aware about social decadency, which goes over borders and infest the whole planet.

Upon the reality in which he lives, a strong feeling of impotence arises, that began to take form in his mind and heart, in front of the apparent inevitable destruction of life, men, nature and universal virtues, and then realizing that the only possible way to make a significant change in the environment, it’s creating a massive “wake up” expressed in one of the branches of the human language… Music.

Elvaan then created a rich universe in which all of his songs take place, the world of "Nothing" where an accidental god soon realizes that his creation should not be taken lightly.

This is the world of "Sheol"

Elvaan Ibanfure tempts people to be free to love and hate, without prejudices, always searching the evolution of the spirit & never to give up.


Several demo songs are now under his sleeve, and now Elvaan Ibanfure launches his first official material, under the name of "The Wolves Are No Longer Howling". A 5 minute instrumental opus that transcends the borders of Rock & Metal, showing the world, his unique and singular style of aggressiveness, despair, pain, hate, love and thirst of justice and change. With catchy and powerful guitars, deep and vibrant bass lines, explosive drums charged with rhythm and the finesse and class of strings and brass sections makes it clear that this is music for the intelligent, music for the elite. This is his new vision of Metal, his particular vision of Music.


Genre : electronic, metal, acoustic, ambient, industrial, instrumental, neoclassical, post-metal, post-rock, progressive

| Facebook | Bandcamp | SoundCloud |

Recommended for musicians:

      Freemake Audio Converter

Review for the album "These are truly the last days" from These are truly the last days

These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.

READ MORE

Review for OVUM by Chronotope Project

Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’

READ MORE

 

© 2016 - The Sirens Sound