Dani Lee Pearce is a transgender music producer from Portland, Oregon who has been musically active since 2011 and actively releasing since 2015. She currently handles all production of albums herself including visual design with only rare collaborator input.
Her songs' subject matter frequently concerns life within trans-ness and mental illness, frequently includes fantasy imagery and sounds, and stylistically varies between releases, approaching the composition of each album as if they were films. Her first three albums, 'Dani Lee Pearce', 'Depayse' and 'Kelvin' were instrumental albums centered around different moods, with the first album being based around the concept of recovery, illustrated by its deliberately non-linear progression from chaotic to serene.
'Notes of a Nervous Little Pixie', released in early 2016, was her first album with vocals and was recorded in harsh conditions with limited equipment and space, and is largely a document of emotional abuse received by and the mental illnesses of the artist around that time. Her newest album, 'Petrichor', released last November, adds poetry as a new influence and compositional tool to her music, reflected in the album's story and writing.
A concept album about Star-Gods, magical beings and the depiction of different forms of survival in the journeys of various characters, in addition to a variety of interpretations of this thing called Purity, both false and true, and how Disarray entangles with it.
The Ember Leaf - 02:44
The Lone Survivor - 03:48
Over My Wall - 02:48
From Young Unknowing Eyes - 04:02
Down In Evergreene - 04:35
The Hill of Mist - 07:14
Where the Ashes Go - 06:05
I Hope It Doesn't Rain When I See You Today - 05:54
Party like a Fireman" is a nonstop sonic journey of madness spanning just over an hour, with an overall beat driven, industrial, and darker ambient tone than some of our previous releases. That's not to say it's all doom and gloom. There are serval upbeat and comical moments, but they all eventually veer into an uncomfortable waking dream state.
Macaroni Pudding - 04:02 Moon Garden - 02:28 Madman's Carriage Ride - 02:06 Hidden Caverns - 03:50 Atmospheric Reentry - 02:05 S T A N Stan - 03:55 Let's All Stan - 02:33 Everybody Stan - 04:01 Stan the Dancing Man - 07:27 Residual Babble - 00:58 Brown Mass - 03:48 There's Always Something in the Way - 04:14 Forever a Ghost - 03:36 Leather Slug - 04:19 Death's Sweet Grip - 02:58 Cataract Jack - 02:47 Nobody Knows what it's like to Eat My Dick (Tonight) - 08:24
War Nurse is a union of imagined and real. War Nurse is of no fixed address, of no material world.Festering through psychic cracks, bracing for escape, we look to bring struggle to the forefront. Tension is palpable. Rallying behind cries for power, War Nurse brings no glory. Unified delivery ascending and rupturing with no pause. There is no competition, there is no copy, the copy is the dream.
Hounds is a weapon reaching desperately through time, disrupting normal, reeking of causality, displacing the reconciliation of thoughts and actions. The very historicity of safety and security are at once called into question with a similar note of terminal simplicity. Hope is simultaneously lost and understood to be nonexistent. It is not a worldly possession to be had; it is not an existentially reconcilable concept. There is no hope. There is no home. You are but one of the hounds.
Blood Is Sweeter Than Honey is London-based artist Danny Currie's 3rd release of 2017.
Field recordings of his coastal hometown are merged with spectral guitars and washes of electronic noise to create a droning ambient panorama which seems to crest and recede like the Irish Sea heard in those same field recordings.
Released on his own Anschauen Records, Blood Is Sweeter Than Honey follows January's 'Verschollene EP' (Spheredelic Records), and 'Covers 2017' - a Soundcloud release of cover tracks.
Verschollene EP is Shock of Daylight’s 4th and most ambitious release. The tracks stretch longer, spanning more genres than before, with minimal techno, ambient noise, and modern classical influences standing out.
Despite the complex blend of styles the tracks themselves are simple and focused, with often a single figure or concept spun out to its conclusion, clearly drawing inspiration from the ambient work of artists like Brian Eno and William Basinski, as well as proto-electro/krautrockers like Cluster, Harmonia and Neu!
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”