Wake Child began with a couple of friends playing music. Danny Silberstein and Terrell Hines were helping Austin Max rehearse for a class performance he had the following day. All three attended the prestigious Berklee College of Music.
Danny, a singer-songwriter in the Laurel Canyon mold, had just released a solo EP titled Static Noise and Other Miscellaneous Sounds. He wanted to collaborate with Austin Max, a Tennessee native. Austin is the rare guitar virtuoso who plays off-the-cuff, never totally content with a written or unwritten riff. They had invited Terrell Hines to help them practice for Austin’s class performance the next day. Terrell is a former gospel drummer with a core of technical knowledge that expands as he plays, into the realm of his stylistic influences: psychedelic jazz and modern trap.
Austin and Danny started to play their song’s intro, lightly strumming their guitars. When it came time for Terrell to jump in, he played a sixteenth-triplet trap rhythm, providing a propulsive backbeat and transforming the song. Austin kept playing, but Danny couldn’t keep up, laughing in amazement and putting down his guitar. He was blown away by the feeling and the sound of the band dynamic he could already vividly envision.
It took a few months to convince the others, but Danny knew right away; this was a band and this band would be named Wake Child. As a trio, Wake Child synthesizes the hometowns of California, Georgia and Tennessee into a melting pot of Psych/R&B brilliance.
The track was recorded live in the remains of an old Masonic Temple in Boston, MA. The temple's mystical aura helped the band infuse "Hangup Blues" with a sense of isolation and magic, as the song's outro explodes in a psychedelic mist of lovelorn confusion.
“Blinding Sights (Left Me Cold in the Night)” is off Yellow House's brand new EP, 'A Carnival of Fears', which chronicles the severe juxtaposition of expectation and reality in young adulthood. It is an intimate journey through the first contact with love, alienation, disillusion and politics. Emile van Dango (aka Yellow House) wrote, produced, and performed the album's tracks in his home studio by himself.
Compiled through years of home recording and writing, 'A Carnival of Fears' is an "all scars bared" approach to detailing a young musicians journey from teenage folky, to the fruition of a young man settled firmly in his unique unapologetic vision.
Yellow House is the recording project of Cape Town based singer-songwriter and multi-instrumentalist, Emile van Dango. After years of venturing through the endless genre waves which flood the Cape Town music scene, yet never quite feeling at home, Emile instead opted to dream up his own unique universe.
Yellow House serves as the embodiment of all that Emile could sink his teeth into during his formative years as a young songwriter and producer. Having spent a couple years honing his craft as a folk musician, Yellow House carves out a broader space, a home of artistic experimentation and endless possibility -- a haven which currently exists as the headquarters for Emile’s new dream-pop/psych-soul visions.
The video for AIDA 's single “Let’s Ride” is now out. "The video was able to come to life because of the amazing crew from La maison baldman. When I first heard the instrumental for this song, I immediately pictured myself riding down the beach. I saw palm trees, funky neon colors and me in a red corvette. This record which is a part of my very first EP entitled “My Retrospective”, is nothing else but a party in musical form. "
Astro Tan is a three-piece out of Portland, Oregon, who hail from opposing corners of the continent; they call rural Pennsylvania, urban Seattle, and remote Alaska their homes, respectively. Perhaps their trans-continental allows for what is a genre-bending songbook that places foot in no strict stylistic camp. Primary songwriting responsibilities oscillate between Charles Tern and Sam Wegman (bass and guitars) and an exacting drummer in Jed Overly (also a songwriter). Astro Tan is freshly attune to their creative ambitions, ostensibly due to a mélange of classic and contemporary influences. 'Soma', the freshman effort from the group, demonstrated a keen affinity for lush R&B, soft-jazz and psychedelia. Their latest, just-released album, 'Canary', brings this to the next level with moody orchestral additions.
Jovana Golubovic is a singer, songwriter, guitarist and pianist in Vancouver Canada. She largely produces her own music along with producer Felix Fung of Little Red Sounds. She recently released her third single, the disco-influenced, harp-sweetened "Don't Make Me Miss You" online with an accompanying music video.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.