Athens, Greece's guitar-pop four-piece Melt Mountain will release their full-length debut album "Superfetish" on May 29 via Inner Ear. The record follows their acclaimed self-titled four-song EP (released January 2014 on Inner Ear) which earned them praise from the likes of NME, Indieshuffle and more. "Fascinating Things" is the lead single.
Frontman Dimitris Apostolakidis: says"Fascinating Things" could be considered the essential base of the "Superfetish" idea, both musically and lyrically. This idea involves strong music themes that evolve and change in a dynamic, expressive way and words that try to describe detachment, inner conflicts, obsessions and disbeliefs."
Melt Mountain is one's inner most angst, a gut feeling of a frivolous daily routine, a hopeless bus ride that's only meant to show you how things may seem through a window as you swiftly pass by, with no intention of getting off. This has been the case since 2014 when they released their self-titled EP, carving up a musical landscape in a whimsical sense while also setting up intricate foundations with a narrative that most people can relate to.
"Superfetish" has explored more of the depths that the band was willing to go to. Lyrically it is very much influenced by urban culture, life and conduct, as complex and unforgiving as it gets. It navigates the recluse mind and the misunderstood personality. At the same time their music joins the dots between the abstract thought process captured in words with the same riffing mountain melting power that has come to define them.
The Cruelest Animal has been a work in progress for Drummer / Guitarist / Producer Alex Crane since 2009. The band started as a recording project featuring guest performances by members of Intronaut, National Sunday Law, and The Great Wall. The music is inspired by a wide variety of styles including classic prog rock groups like King Crimson and Pink Floyd, as well as Trip Hop acts like Massive Attack, Dj Shadow, and Radiohead. Aspects of technical and spacey influences are blended into a sound rooted in early 90s metal.
The album Soothing Rays of Eternity represents a leap forward creatively. With the addition of Matt Boylan on bass (former Bear Baiting and Cuneiform), and use of Ableton Live looping software, what was once a recording project has developed into a live two-piece band.
The album is structured abnormal rhythmic cycles and features drums and bass as primary elements. The rhythm section is accentuated by heavy, yet spacey guitars, keyboards, and vocals. The song Unleash the Swine features David Timnick of Intronaut on Tablas, and Derek Donley of Bereft and National Sunday Law on Vocals.
Soothing Rays of Eternity was self recorded and mixed in our rehearsal space in 2016 and was released via Bandcamp on April 21, 2017.
Alex Crane: Drums, Guitar, Vocals, MIDI programming, Recording, and Mixing
Matt Boylan: Bass and Vocals
Grant Lewis: Keyboards
Derek Donley: Vocals on tracks 2 and 4
David Timnick: Tablas on track 4
William Paton: Vocals on tracks 5, 6, and 7 (We'll miss you, buddy)
French group BLVL’s new track “Internal Heights” expertly transitions between lush moments of patient pysch-pop and effervescent bursts of rock-led spaciousness, particularly at the 02:26 transition
The collective defines their music as "dark and atmospheric indie-rock". Their first video, "Internal Heights", was directed by KENDY TY.
Born in 2014 in the depths of Paris, BLVL generates a dense and atmospheric rock, with urban and contemplative influence tinted with electronic atmospherics. Strongly anchored in the ground, the quartet nevertheless keeps the ears in the stratosphere, oxygenating its ethereal melodies with a pure and euphoric air.
After playing some of the highlight venues and events in Paris underground rock (Divan du Monde, Flèche d’Or, Bus Palladium, International...), BLVL released their first EP, 'Empire Of Nights', in early 2017. "Internal Heights" is a cut from that EP.
The new track “Mysteries of Nature” speaks for Mouth Breather – politically, socially, passionately, romantically. A track that, like lighting at a dive bar, illuminates crucial features while still leaving many mysteries to be discovered. Mouth Breather released a new music video to accompany the song on YouTube.
“Mysteries of Nature” grew out of a funky bass-line I laid down while jamming with some friends last summer. Simple, yet catchy enough that every other part of the song just seemed to naturally fall into place. There wasn’t much planning that went into the video either. The director, William Wilkinson, and I used an old TV zoom lens and a sequin curtain to capture a glossy, zoom-heavy 70s visual accompaniment."
PILLARS is an American four piece indie rock band from Indianapolis, Indiana. Formed in early 2015 by guitarist/vocalist Marc Ertel (former member of Spicolie, The Bowels of Judas, Heathens) and bassist Nason Frizzell (former member of ReVera, Asking Autumn), they quickly recruited Justin Williams (former member of ReVera, Asking Autumn) and Zach Frizzell (former member of Anapparatus). Each member comes from various musical pasts and this diversity has fostered a unique sound that blends indie rock, post hardcore, and alternative rock. PILLARS have become very deliberate in pushing to defy the normal restrictions of a definable genre with renewed vigor and passion.
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver