Dan Caine is ambient / post-rock musician from Merseyside, England. Caine uses powerful, layered guitar melodies to create an atmosphere of an intense range of thought and emotion as he explores the depths of the human psyche. His music is a free-flow of subconscious urge and instinct; a deep dive into the unhindered world of the Id. Much like a fine wine, these meditative works expose more and more of their depth with each listen, and like a mood ring, they morph and change to reflect the state of the listener perceiving them. Caine’s music is also richly melodic and is layered with vibrant textures, created primarily from his collection of guitars, producing brooding atmospheres and serene sonic landscapes.
The Jackson Pollock of ambient post-rock, Caine is a master of breaking music down to its most basic elements, and arranging them in a work of abstract purity. This enables the listener to explore their own connections to the sound and engage with the piece less as a listener, and more as an observer of aural art. His music is broad and guiding, yet flexible and undemanding, allowing the observer a space with which to process their own humanity within it.
Dan Caine, born in 1988 in Wirral, England, first picked up the guitar at age 15, inspired by a lot of alternative music, as well as his own father who played the classical guitar. He has had no formal musical training or tutoring, save for being taught a few basic chords from his father. He realised early on that making music was a great way of expressing himself and began recording his experimentations as a hobby. Eventually, in 2013, he published his first album, “Ephemeris”, which was a collection of some of his best ambient pieces that he had made of over the previous years. Since then, his music has evolved and has primarily drawn on influences from ambient, post-rock and new-age music.
"Captured Whispers" is a collection of ambient / post-rock songs recorded between 2012-2017, that have never officially been released until now.
The Crowleys just released their new single/video “Midnight Blue”. Tucked behind upbeat surf guitar and robotic vocal tones, “Midnight Blue” is about where your mind takes you on a sleepless night.
"Our friend Evan Bond animated the video for us. We met him when he offered to help us move a new mixing console up three flights of stairs into our friend Michael Keire’s studio. When we learned he was a talented artist and animator we knew we wanted to work with him and the time felt right when we started brainstorming ideas for the new video. We pitched Evan a very basic idea and gave him full creative freedom after that. He did a great job of portraying the emotion of “Midnight Blue” through the short, minimalistic animated story. The carefree yet melancholic tone of the song guides an antique robot through a day at the beach where his imagination and reality clash. It exemplifies the loneliness and anxiety hidden behind a happy facade which is what inspired the track in the first place."
"Remember Now is a hopeful song that came out of a time of despair - David (guitar/vocals) and Vanessa (keytar/vocals) started the band 6 years ago as best friends, found Paul (drums) shortly after, started dating 4 years ago, and broke up this summer. The song is about remembering that beneath the hurt, sadness, and pain that can overcome friendships and relationships, there’s always love at the core and if you're careful and committed, it's possible to preserve that love even if it's in a different form.
Director Ryan Brough captured that spirit in the accompanying video which premiered Monday on Indie88 - it’s basically a dream scrapbook from this past summer and the wonderful roller coaster that is our band family.
Sonically, Remember Now is a major turning point in the evolution of our sound, thanks largely to the production and mixing talents of Derek Hoffman (The Elwins, The Flatliners). Derek really nailed the heartbeat of our band and for the first time made our recording feel as explosive and dynamic as our live show is."
Davenport Rex is a Motor City duo focused on progressive compositions that develop themes, explore alternative chord progressions and song forms. They strive for accessible melodies and meaningful lyrics, and they encourage you to listen multiple times to get the most from the songs. The band members are Dave Gillespie and Jim Murphy (featuring vocal work from Danielle Blanchard), and they go back to the Music Program at Michigan State University. They have been writing and playing music for many years - They work slowly with a lot of attention to arrangements, instrumentation and performances.
Progressive pop / rock compositions. Rock band foundation with additional synthetic and symphonic instrumentation. Accessible and complex. These ten tracks are pretty diverse ranging from guitar based rock to cinematic orchestrations to simple acoustic and vocal arrangements.
Green Grass for Miles & Shooter have released the split EP "A Year and a Day Apart" on November 8th. Green Grass For Mile's side of the split is atmospheric post-rock with a bit of an alternative emo tinge to it. Shooter's side is piano-based orchestral style post-rock. The first song has a short vocal part but the rest of the EP is instrumental.
GroundBurst is an instrumental rock trio whose sound strikes for the band’s kaleidoscopic approach and wide-open mindset. The band consists of Phil, Si, and Erik, respectively on guitars, bass & keys, and drums. These three talented musicians set out to create a lush, diverse and textural musical backdrop, borrowing from influences as diverse as electronic music, psychedelia, rock and even jazz with a minimalistic flair. Their recent release, “Triad” is an EP featuring 3 original compositions, as the title of the release might lead you to guess!
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.