Arbor Lights have been making a racket in their home town of Birmingham since 2010. Greg, Alex, Matt and James stole their name from the pub where they met. They self-released their first single On A Sea in 2011, and a self-titled EP in 2012 & a full length album called "Hatherton Lake" in 2013. Since then they have gigged around Birmingham (and occasionally further afield) with too many amazing bands to name.
Last February Arbor Lights were invited to Birmingham City Uni to record a live session for their friends at Sunrunner Sessions. The video never came together but these four new songs feel like a nice snapshot of where they 've been since Hatherton Lake came out. This release, as ever, is pay-what-you-want, but all proceeds will be donated to a local charity. CHADD is a housing association working around the Black Country to provide shelter to the homeless, both young and old, and victims of domestic abuse. The work they do is more important than ever and they wanted to do their part to help a cause that's close to them on a personal level. Please consider giving generously.
The Frenzy - 05:13
Malapert - 05:07
Only Run If You're Being Chased - 04:32
If We Don't Learn From History Channel, We Are Doomed To Repeat History Channel - 07:36
"Somewhere between madness and lack of education, Diablo 2 and adolescent sweat, the mysticism of the big world computer network and the TV attached alone in the living room. From that place in your mind that you do not know invented or The pastime glued to the upper molar and the acidity of Coca-Cola in the depths of his tongue imploding his palate in a fractal of crazy memories and associations and a very secret truth that one day you almost understood and today lives in the Part of your dreams that you no longer remember.
It is from these things that "Which are the True Midnight Monsters?", The first record of the Phantom Sites project, is done. Composed in a solo way by Felipe Soares (Amandinho, 151515) he cuts nostalgias, adds sensations, coexists between opposites and finds in a network of memories that we think are intimate and insurmountable.
The abstract romanticism of the beginning of the millennium, the first generation that grew more inside the internet than it had been and now does not know what to do and that mainly does not know to differentiate the things that believe othe things in itself. Who did not see the end of the world but knew the end of the Polara that is much worse. The profile of your friend who has a child, works, and does not care much more for the internet. It's about this ocean where you came from and now it separates you that this disc speaks.
Phantom sites clandestinely accessed on the computer of their friends' parents. The midnight monsters between unfinished purchases and that message you never answered. Conspiracies, terrorists and the myth of freedom. Now at a young pace.
Martyn Jackson is a composer and Post-Rock musician from Bristol, UK.
Whilst working on his follow up album to 2013 release "Home", Jackson has been working on numerous other projects such as the score for BBC short film "Leonard's Neighbours. This work is an alternative to his Post-Rock band stylised music, and shows a more minimal approach.
"Still" is an example of this minimal approach. This track was composed especially for Bandcamp supporting the ACLU on Friday the 3rd of February.
Once Upon A Winter is a solo post rock project from Xanthi, Greece, created by Ilias Kakanis in 2012. In 2014, the first EP of the band became available through soundcloud, and in 2017 the debut album "Selective depression of the Big Bang" was released.
"Selective depression in chase of the Big Bang" is the debut album of the solo post rock project Once Upon A Winter. It is a melody-based post rock album, which draw inspiration from the "you vs yourselves and the constant changing surroundings" issue. All music was written and performed by Ilias Kakanis.
SKG - 05:44 info
The stars may be dead, but we're here and we've stopped the time - 04:58 info
xââ - 06:26 info
Once upon a winter - 04:22 info
Lack of a greater possible memory - 06:00 info
Purpose of stillness - 05:54
Her lost love, my entropy - 03:36 info
Selective depression in chase of the Big Bang - 08:42 info
Interns’ first incarnation came to be in 2013 as a side-project between bassist Christian Harris and guitarist Andrew Reinhardt while playing together in the Louisiana-based jazz collective The Telegraph Salesmen, along with the leader of the group, Carter MacFarland, on drums. Many of the songs featured on Vanity Mirror were written during this time period.
The group dissolved in 2014, as Harris and Reinhardt separated geographically. After a three year hiatus, the two found themselves both living in Austin, Texas. With the addition of drummer James Bauer and guitarist Cole McDonnell, the group began to rework and refine the existing material, as well as write new music. The music combines the atmospheric nature of modern post-rock built around a classic psych framework.
Interns recorded their first studio album Vanity Mirror at Earthship Studios in Baton Rouge, with recording engineer and producer Benjamin Livingston. The album features guest musicians Sungkyung Woo, violin, Blayke Weatherford, vibraphone, and Carter MacFarland, keyboards.
Vanity Mirror was released on February 21st, 2017, and is available on all major streaming platforms. A physical release is to follow.
Interns aim to frame the ambient, spacey goodness of post-rock around a structure that is easily digestible for listeners of any background. Like much of their peers, they forego lyrics in an attempt to let their instruments convey their thoughts and emotion.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.