ANTETHIC is an instrumental rock trio from St. Petersburg, Russia. One of the most interesting and innovative bands on the European post-rock scene. The trio is notable for an impressive and organic combination of a variety of genres, such as electronic, progressive rock, ambient, drone, and shoegaze. Staying true to the band's experimental and atmospheric roots every new release shows progression towards more balanced and electronic sound. Throughout a 5 years lifetime, Antethic has released 2 LP albums, several EP and singles.
The latest album 'Ghost Shirt Society' is the first work of Antethic as a trio in 3 years. The record challenged them with the line up changes and expanded each member involvement on multiple instruments. This resulted in more detailed and yet flowing compositions which they see as their best works so far. The album is inspired by idealism philosophy, utopian and post-catastrophic ideas. As usual Antethic was looking for the way to express specific philosophical or political idea by the means of music.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.
Voices from Deep Below open their album with ‘This Is the Way,’ a near eleven- minute jaunt through intense, distorted electric guitar and heavy rock tinged soundscapes. The atmosphere comes in waterfall-like waves, though, and it’ll tear out of its cage, slowly subside back into atmospheric rumblings, and then maneuver its way forward again. At its more aggressive points, “This Is the Way” sounds like a Queens of the Stone Age demo tape. At its subtler sections, it feels like a Flaming Lips or Roger Waters tune that straddles the line between experimental rock and prog rock.
The second track of the album, “Blurred”, has a similar song structure, rising and falling in methodic waves of reverberated electric guitar and soft, almost indistinguishable vocal croons. True to name, “Blurred” does eventually blur together into a giant hodgepodge of noise, as if the songwriter had spent a little too much time listening to “Metal Machine Music” beforehand. This does more or less become the tone of the record: fuzzy electric riffing atop a bed of sparse vocal harmonies and copious reverb. “I Can’t Speak”, for example, is essentially eleven minutes of distorted chaos with a loose structure. Some of the soloing is excellent, however, making the latter parts of “I Can’t Speak” quite good fun to explore.
“Indigo/Younger” turns down the volume knob for a larger chunk of the song, letting the vivid lyrics and more intricate electric guitar musings shine through. The first two minutes of “Indigo/Younger” is arguably the most beautiful moment on the album. During its nine-minute run, though, the song takes several twists and turns, eventually exploding in a cacophony of distortion followed by a full minute of drowned out samples and electric meandering. “White Columns” closes the album with the most intense instrumentation of the bunch. The song slaps the listener in the face repeatedly for the whole run time, and it’s aggressively committed to doing so.
“I Want to Stand Where the Sun Himself Shakes with Fear” is only going to appeal to a very niche audience of music fans who are looking for modern alternative rock that pulls heavy influence from prog and experimental. Though it may not be everyone’s cup of tea, however, one can’t help but admire how Voices from Deep Below have crafted a sound that is unlike anything else out right now. Is it noise rock? Sort of, yes. Is it alternative, progressive, experimental, and bordering on heavy rock or metal? It’s all the above, and that’s why it’s worth taking a listen to.
"Late Bloomer" was recorded by James Whitten (Pears, Thou, Gland, Donovan Wolfington) and mastered by Carl Saff. Static Masks are a four piece with two vocalists. They tend to get put in the math rock, shoegaze, indie categories. With a goal to make "interesting" and "beautiful" music, Static Masks blend melody and complexity with some nontraditional song structures to create their own version of progressive pop music.
Mixtaped Monk is a one man DIY music project by Indian music producer, Arka Sengupta. Started in 2016, Sengupta has released 4 full length albums and various singles under the moniker of Mixtaped Monk. "Northern Eye EP" is his latest release.
"Light Of The East EP" is like a tribute to Japan, its rich culture and heritage. Through dreamy atmospheres and intricate melodies, this EP tries to convey different emotions you can experience when you think about or even literally visit various places in Japan such as Mt. Fuji, Osaka, Kyoto and the Akihabara district in Tokyo. Sonically, the instrumental EP borders around ambient and post-rock while taking influences from indie rock, alternative rock and shoegaze music.
Fuji-san - 03:49 Dreams Of Kyoto - 05:34 From Osaka, With Love - 03:28 Akihabara Nights - 04:54
A combination of retro aesthetics, enduring lyrics and alt-rock grit.
The best music happens when artists refuse to remain stuck in their own comfort zones and creative boxes. Whenever this happens, they are free to give full range to their vision, and they can really come up with something that’s groundbreaking and personable. This is certainly the case here with Tommy Red and his brand new EP release, “I Wanna Be Exploited.”
Marva Von Theo is an Electropop / Synthwave duo formed in 2016 by the Athens-based singer-songwriter Marva Voulgari and the Vienna-based composer-producer Theo Foinidis.
Their Debut Album “Dream within a Dream” was released early in 2018. The 12 songs on their Album, lean towards an electronic sound that incorporates a variety of influences ranging from the music of the 80’s until today. Darkwave sounds, Jazz harmonies, Rock and Dance drum beats resonate together and mature into something darkly romantic.