Three guys with various musical influences that have come together to make music.
"We grew tired of having creative boundaries limited by previous bands and so this is an outlet for everything we never had a chance to play before. "
The last gasping breath from a fun, weird experiment of personal styles and musical tastes. Always having something to say but no one to say it to, this last batch of songs serves as the unmarked grave for three unlovable losers who enjoyed making loud noises. 100% DIY from the beginning but this last batch should hopefully be the best mixed at least thanks to some light reading and Reaper mixing software.
Fresh from recently relocating to New York City, Stav G is releasing her new single "My Sheltered Room" to coincide with the move. The track offers a scathing attack on the machinations of war and an open desire for dialogue and coexistence amongst people. All this is delivered with her signature mix of venom and melody.
Reed Four is an original 90's inspired experimental indie-rock band with hints of blues, folk, and shoegaze. Founded amongst friendships and random degrees of separation, they form an amalgamation of complimentary genres that spawned their sound and style. Those familiar with the sounds of Pixies, Radiohead, Florence + The Machine, and Alabama Shakes should feel right at home with Reed Four.
Singer/songwriter/guitarist, Andria Reed, a veteran in the local music scene of Evansville, Indiana, had already written and recorded her first acoustic album titled "Bedford to Bellemeade" within a year before the formation of Reed Four. Her goal was to turn the album into a much bigger sound. She had a mutual musical admiration for colleague/guitarist, Joe Vowels, and they began collaboration on the concept. The two instantly bonded and began forming the roots of what would become Reed Four's first album. Matthew Hyneman (drummer) and Josh Case (multi-instrumentalist), already familiar with Andria's work, soon joined the two. Within a year, the group began rehearsing and self-recording Reed Four's version of "Bedford to Bellemeade."
Reed Four's version of "Bedford to Bellemeade" was self recorded at Joe's house every Sunday from March 2013 through December 2013. It was then passed on to Mike Boren where he spent the next 2 years carefully mixing and mastering it in his free time. The album art was conceptualized from passing around music video ideas and playing off of recurring imagery sang throughout the album. Aaron Tanner of Melodic Virtue then brought this concept to light by creating the surrealistic imagery that decorates the album's cover. The album is loaded with "emotionally-charged, indie rock melodramas"..."that confronted life's struggles head on." - Tommy Ellis, News4U Magazine
During the waiting period of the mastering process, in Andria's spare time she became interested in filming and video editing. This led to the band making their own music video trilogy that tells a summary of the album's story when played in chronological order. Andria filmed and directed each of these videos. On September 13th of 2016 the band released their self produced music video for their first single "Drive". They then successfully released their debut album "Bedford to Bellemeade" worldwide on September 24th 2016. Each member of the band had a small cameo in the second music video for "Old Piano" released on May 23rd of 2017. The final music video for "How I Feel for Me" was released on December 13th of 2017 marking the final project and closure for Bedford to Bellemeade.
"Bedford to Bellemeade" is available on many major music distribution services including iTunes, Amazon Music, Google Play, Spotify, and several others.
Jacob Faurholt is one of Denmark’s most prolific songwriters. He releases music both solo and under the moniker Crystal Shipsss. His music ranges from lo-fi home recordings, 90es inspired indie rock to ambient drone metal.
A Lake of Distortion, Faurholt’s 6th solo album, is a collection of fragile folk songs and fuzzy lo-fi pop carefully sequenced to work as a whole. It consists of 10 twisted love songs filled with joy and anxiety. The album was mainly written, recorded & mixed in Faurholt’s bedroom (in between work and other daily obligations) and the intimacy and urgency from that setting is apparent throughout the album. After recording the basic tracks Faurholt invited musician friends to work on the songs, among others Soren Brothers (Man Meets Bear), William Kudahl (Infants), Claus Frøhlich (Younolovebunny), Samuel Gray (Sam Gray Singing) and Jens Christian Madsen (Tjaere+Fjer). The recorded tracks were exchanged between them by e-mail. The albums short, melodic and fragile songs draws references to Bee Thousand era Guided By Voices, early Sparklehorse, and Daniel Johnston who is namedropped on the albums last song “Listening To Devil Town”.
The rock/alternative group His Dream of Lions, formulated their name after Ernest Hemingway's novel "The Old Man and The Sea," because of the ambitious spirit and moral intent of the main character's reoccurring dreams. With that being said, the four young rockers love the thrill of chasing their dreams. Having known one another through the local Fairfax, Virginia music scene, guitarist Nick Jones, and singer Seth Coggeshall came together during the spring of 2012 to form the band. After a period of relentless gigging and writing, the band's lineup was finalized with the addition of bassist Justin Mason and keyboardist Colby Witko in 2013 with the release of their EP's Part One and Part Two. Following the Part One/Two record cycle, His Dream Of Lions moved forward in the summer of 2015 to record and release their self-titled EP. Leading up to the record's release the band released a music video for "Danger Close" which debuted on Fuse.
Following their tumultuous journey thus far, the band just announced their brand new EP, Pseudo Star, due out February 2018 engineered, mixed, and mastered by Ben Green at Ivakota Studios. Off the forthcoming EP comes their new single "Love Me Like I'm Sick." Reminiscent of acts like Fun., COIN, and Colony House, the track features a sound that is a departure from the band's pop/rock style with new kinds of synths and drum sounds. Watch the brand new music video, exclusively with Baeble Music and be sure to pre-order the brand new EP here.
The band's lead singer, Seth Coggeshall had this to say about the EP:
"Pseudo Star is about that feeling. It captures that feeling not only with the subject matter of the songs, but also in the tonal extremes the record sits in between. Pseudo Star is funny, yet serious. It can at times be epic, and other times intimate. We're playing fun rock music that has moments that sound really empowering. However the lyrics, and the sentiments in the songs don't portray a confident or powerful person. Instead I sound unsure, and a little self-deprecating. Despite all this though, the point of Pseudo Star isn't to encourage listeners to revel in self-doubt, or self-pity. It's about effort in the face of uncertainty. It's hard to know where you're heading. And maybe we will always feel like were at the halfway point. Always feel like a Pseudo Star...But Pseudo Stars still shine, and that's more than enough reason to press on."
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.