"Late Bloomer" was recorded by James Whitten (Pears, Thou, Gland, Donovan Wolfington) and mastered by Carl Saff. Static Masks are a four piece with two vocalists. They tend to get put in the math rock, shoegaze, indie categories. With a goal to make "interesting" and "beautiful" music, Static Masks blend melody and complexity with some nontraditional song structures to create their own version of progressive pop music.
Mixtaped Monk is a one-man DIY music project by journalist and music producer Arka Sengupta. This project was started as an outlet for his creative expressions. Under the moniker of Mixtaped Monk, Arka not only expresses himself as a music producer but also as a writer and a visual artist.
"Light Of The East EP" is like a tribute to Japan, its rich culture and heritage. Through dreamy atmospheres and intricate melodies, this EP tries to convey different emotions you can experience when you think about or even literally visit various places in Japan such as Mt. Fuji, Osaka, Kyoto and the Akihabara district in Tokyo. Sonically, the instrumental EP borders around ambient and post-rock while taking influences from indie rock, alternative rock and shoegaze music.
Fuji-san - 03:49 Dreams Of Kyoto - 05:34 From Osaka, With Love - 03:28 Akihabara Nights - 04:54
Philadelphia noiserockers Cemetery Flowers released their debut EP this week through Glowing Dagger, the Oakland tape label run by Megan Biscieglia of Bad Braids and Dustin Khebzou. Made up of multi-instrumentalists Andrew North and Pat Friel, the record is an intense tapestry of roaring guitars and cold, nervy electronic beats, with North and Friel howling nihilistically. The record is a gripping listen, all the way through the 15-minute closer “vi,” which hammers away in brutal riff repetition but is pretty impossible to turn away from.
Raised in Bakersfield, California before making her way to New York City; Jeni Magana issued her debut EP 'Golden Tongue' last year on Audio Antihero Records to glowing reviews and national airplay, making a number of end-of-the-year lists. Magana offers a stunning new voice in the Indie world: ghostly but raw, tender but powerful.
“Pages” is a Free Tour Single from Brooklyn's Jeni Magana, following her acclaimed late 2016 debut EP Golden Tongue. Her work has recently found praise and support from The Line of Best Fit, London In Stereo, EARMILK, yvynyl, BBC, FM4, Podcart, GoldFlakePaint, Shout4Music, IMPOSE, BIRP.FM, El Correo, Fame Mag, The Le Sigh, The Grey Estates, God Is In The TV, Collapse Board, Resonance FM, Dandelion Radio and numerous Best of the Year lists.
Live favourite “Pages” is an early experiment in Magana’s ever shifting solo sound, previously unreleased up to now. It’s a gorgeous standalone document of her evolving creativity and expression. The song shows a more traditionally Indie Rock side to Magana's dreamy Alt. Pop sound with a her stunning voice soaring over the ragged instrumentation. It's heartfelt and emotional rock music with ghosts whispering through the walls.
Tour Dates - More TBA:
January 5th - Brooklyn Free Radio (Radio Session)
January 6th - FIKA, Manhattan, NY
January 11th - Sofar Sounds, NY
February 15th - Octopus Literary Salon, Oakland, CA
February 18th - Lonely Ave, Bakersfield, CA
February 19th - Sculpterra Winery, Paso Robles, CA
Arbor Lights have been making a racket in their home town of Birmingham since 2010. Greg, Alex, Matt and James stole their name from the pub where they met. They self-released their first single On A Sea in 2011, and a self-titled EP in 2012 & a full length album called "Hatherton Lake" in 2013. Since then they have gigged around Birmingham (and occasionally further afield) with too many amazing bands to name.
Last February Arbor Lights were invited to Birmingham City Uni to record a live session for their friends at Sunrunner Sessions. The video never came together but these four new songs feel like a nice snapshot of where they 've been since Hatherton Lake came out. This release, as ever, is pay-what-you-want, but all proceeds will be donated to a local charity. CHADD is a housing association working around the Black Country to provide shelter to the homeless, both young and old, and victims of domestic abuse. The work they do is more important than ever and they wanted to do their part to help a cause that's close to them on a personal level. Please consider giving generously.
The Frenzy - 05:13
Malapert - 05:07
Only Run If You're Being Chased - 04:32
If We Don't Learn From History Channel, We Are Doomed To Repeat History Channel - 07:36
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver
In order to excel in the independent music industry, an act has to define itself as especially unique with a sound quite unlike anything else in the community. This is a tall order, one that isn’t easily filled by acts entering variations of rock music due to the immense amount of bands flooding the scene right now. Palehorse/Palerider, a “doomgaze” trio from Denver, has released an EP entitled ‘Burial Songs’ that does a surprisingly superb job at separating itself from the pack. Let’s delve into it.
Even though the independent rock scene is quite inundated with new acts, there’s always a welcome place for an outfit that changes the formula enough to be consistently interesting and worth taking notice of. The New York-based alternative rock group Voices from Deep Below attempts to do just that, fusing together a variety of styles into a surprisingly coherent sound. Their new record, “I Want to Stand Where the Sun Himself Shakes with Fear”, is a five song album that navigates alt-rock, experimental, and borderline metal and progressive influences all at the same time.