NAAL is the surrealist, drone/rock project of Chicago native Dave Mantel. Characterized by a sonic journey taken between more traditional instrumental post-rock, and the fringe elements of ambient, noise, drone, and field recordings, NAAL is a project that wanders freely between elements of all of those genres, while juxtaposing their individual elements to create a unique sonic palate.
Formed in 2013 with the release of the debut project titled Wilderlands, NAAL has released 4 EP's, with a debut full-length announced for a 2017 release. Each of the past three releases, 2014’s “Compass” and “Chaos Monsters,” and 2015’s “TIME” EP, charted as best-sellers on Bandcamp. Beyond his recordings, NAAL has begun to bring a live show audio/visual experience that focuses on the mellower side of the project. Long, texturally complex soundscapes are complimented by an ambient visual experience aimed at exploring dark, metaphysical and surrealist themes.
A703 is a slow, intricate walk through several years worth of dark, complicated emotional landscapes, compiled together to create a listening experience that will both relax and challenge the listener. The slow drones and complex textures give voice to both a deep sadness, and a deep hope. Of the new album, Mantel says, “There's an idea in Japanese that has captured me- 'mono no aware'- which is an awareness of the impermanence of everything. But, at the same time, not letting that overwhelm or immobilize you. It's a gentle sadness of things. But that idea of simple awareness is not where I want this story to end... That is the concept for the album.”
The first full length album from NAAL, A703’s soundscapes are charged with the weight of their author's own emotional darkness. This album is unlike NAAL's past releases in both the volume of work, and the compositional and instrumental restraint involved in the process. Leaving behind the more traditional post-rock vibe of the project's previous releases, A703 fully embraces the “drone” side of the so called “drone/rock” genre Mantel has coined.
The slow moving chord structures made up of layers of guitar and synthesizer textures, combined with bits of field recordings taken over the course of some of these aforementioned defining emotional moments, create ambient and droning atmospheres that are at once intricately complex and utterly benign. Although these 7 tracks are, for their author, ultimately about mortality and the fleetingness of the temporal, in the depth of the music, there seems to be a glimmer of light. In the end, Mantel says, the interpretation remains up to the listener, “That's the beautiful thing about making the kind of music I make. I can write something out of the deepest feelings of sadness and pain, and someone can listen to those same lines and feel hope in the middle of that. That's really all I want from this project. Yes, there is sadness, there is death. But I have to believe that there is also life.” A703 releases on June 30th, digitally everywhere and physically at NaalMusic.com
Dubtrak, recording artist and music producer from Toronto, Canada has been delivering his unique blend of dub, global beats and trippy psytrance electronica since 2008.
Dubtrak’s music has been compared to The Orb, Underworld, Banco de Gaia and the like, but with extra organic ingredients, some exotic spices and unexpected twists.
"Out of thin air" is Dubtrak's 5th full-length release. It represents quite a departure from earlier, bass-heavy, psy-dub oriented grooves, found on the previous releases. Here Dubtrak experiments with some samples from those earlier albums but the sound goes through an ambient treatment, heavily processed into epic dream-like soundscape, as imagined through the prism of Dubtrak's other project, Intersonic Subformation.
These Are Truly The Last Days is a musical project with a driven experimental twist. Their music blurs the lines between various genres, including ambient, electronica, glitch hop, and more. The project’s self-titled studio effort features 11 studio tracks.
Crafting a concept album is an incredibly difficult task. Tying together a cohesive narrative across a record’s worth of songs isn’t just daunting, it’s an endeavour that even some of the industry’s finest have failed to do memorably. This task, however, becomes notably more difficult when you’re dealing in the abstract via instrumental soundscapes. That is what Chronotope Project, the moniker of composer Jeffrey Ericson Allen, attempts to do with his latest project, ‘Ovum.’