Northwest is one of the most promising musical projects in the independent scene. They gained media attention because of their ethereal and cinematic sound, their nostalgic and mysterious image and their diverse blend of influences (from bands like Radiohead and Portishead to composers such as Debussy and Robert Wyatt).
Northwest was formed in 2015 in the UK by multi-instrumentalist, composer and producer Ignacio Simón and visual artist, composer and singer Mariuca García-Lomas They gained attention with three home recorded singles (Reflection, Wind and Look At Me) which were released independently and with very little promotion, accompanied by three artistic videos directed by Mariuca García-Lomas herself.
The duo Northwest moved from Spain to the UK and spent half of the year traveling around England and Scotland. Inspired by these trips, they started writing their debut album in 2016. This album has been almost entirely writen and recorded in less than a year while the artistic couple locked themselves in a country house outside of London.
Northwest has managed to create an original and otherwordly atmosphere thanks to their unique blend of experimental jazz rhythms, ethereal and enigmatic layered vocals, classical orchestration, delicate production and nostalgic lyrics. Their upcoming debut album is one of the most awaited and promising projects of the independent music scene.
Élvio Rodrigues is a composer and producer from Madeira island, now based in Lisbon, Portugal. In spite of being a player of multiple instruments, in the last couple of years, Élvio has been experimenting with piano, field recordings, and ambient soundscapes. The result is embodied in Slowburner’s debut EP - Before I Return To Dust - which was bself-released in digital and CD formats on March 14th 2017.
The EP deals with the realization that time is limited. Most of the time we’re just living life on autopilot and forget our dreams and hopes for the future. We somehow expect for things to fall into place, except things don’t always work out that way. In that sense, ‘Before I Return To Dust’ is a statement - the time to accomplish all those things we’ve always wanted is now. Time’s ticking.
Start where you are with what you have - 03:56
Time waits for no one - 05:03
Never too late to be someone else, somewhere else - 05:34
Please let me be more than this fleck of dust in the air - 07:29
KSCIAA started out as a small post rock solo project of transgender multi-instrumentalist Willow S., and, after going a lot of members, ended up as a neoclassical 2-piece made up out of Julian D. on violin and Willow S. on production, piano, celesta and cello. Within a relatively short time, they released two EPs, "Dreams - Ending - Redemption - Liberation" and "This Is For You", which were received well, and later promoted by the web label Just Noise Music. Sadly, shortly after, Julian quit the project, leaving Willow to finish the first, and final, full album, "Autumn is Ending" by herself, along with a guest violinist and vocalist.
KSCIAA is a neoclassical crossover powerhouse that combines fragile string and piano arrangements with harsh, inorganic electronic sounds and chopped up field recordings, drawing influence from composers such as Kashiwa Daisuke, Olafur Arnalds and Yann Thiersen as well as the half-step thumping drums of various electronic producers like Willow Beats and Eskmo. Autumn is Ending is a collection of works from over several years that Willow, the projects founder, describes as attempts to create short movies without video, processing themes such as her mental illness, trauma, abandonment, feelings of being lost, but also hope and recovery. Currently, Willow is donating all proceeds to Sacred Stone Camp, in protest of the Dakota access pipeline.
Kalouv is a Brazilian post-rock band formed in 2010 by Basílio Queiroz (bass), Bruno Saraiva(keyboard), Rennar Pires (drums), Saulo Mesquita (guitar) and Túlio Albuquerque (guitar).
Post-rock, progressive rock and correlative music genres are the base of their work, which has already been presented on important stages and festivals of Brazil such as: Abril pro Rock, Play the Movie (Coquetel Molotov), Sinewave Festival, Under the Sun, etc.
Their debut work Sky Swimmer (2011) and the second record Pluvero (2014) had both good acceptance in the specialized media, being nominated on many best albums of the year lists. In 2016 the band launches the compact Planar sobre o Invisível, with tracks recorded at Converse Rubber Tracks project in São Paulo.
In the beggining of 2016, Kalouv has made a tour in Brazil going throught ten cities in several regions of the country. During the stay in São Paulo, the group was invited to the Converse Rubber Tracks project, which was a whole day free to record in one of the most well equipped recording spaces of the city, called Family Mob Studio. Two tracks were recorded and finalized in Recife at the CODA Studio by the hands of the producer Roberto Kramer who mixed and mastered the tracks.
The outcome of the recordings is a compact disk nominated Planar Sobre o Invisível (Soar Over the Invisible – English translation). This new work is a preview of the upcoming new album that should be released in 2017. The cover is signed by the Brazilian artist Alexandre Palacio which perfectly translates the band’s inspiration in the tracks Peixe Voador and Da Bravura, Inocência such as in games, movies and comic books, creating soundtracks to their own universes.
We're a post rock band from Texas. Our first album More Light is Never Ending (released way back in November 2011) covered the story of creation as in Genesis. Our new album A House Not Built with Hands is the personal testimony of our bassist Levi in instrumental form.
This is the true story of a man who was born with cancer and treated with chemotherapy, which caused a heart defect early in his life. It's about the personal struggles he went through. It's about a physical and spiritual heart transplant, and realizing that in order to live we must die to ourselves. It's about a life-changing transformation that can only happen through the sacrifice of Jesus Christ, and it's about the personal testimony of Levi (our bass player).
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver