'1491' is the story of man climbing up the volcano Hekla to reach its summit (1491 meters). He won't succeed but understand while looking at the sky below that the most important thing is not to touch the stars but to keep on climbing on, doing things.
Sébastien Touraton runs the project heklAa since 2010. His music is piano-based and influenced by different genres, from post-rock to movie music in a neo-classical outfit. His next album is called '1491' and releases on Jan.11.
Hellenica fuses dark ambient type instrumentals with elements of drone, doom, chant and spaghetti – western guitar melodies.
A 3 song EP They Are Out For Blood was released in March of 2012. It was followed by a full length album Blood Moon Wolf Head in November of 2014. The most recent album Forms was released in April of 2016 via Montréal label Jeunesse Cosmique. After the release of Forms Hellenica toured Europe in November 2016 performing in Germany, Czech Rep., and Netherlands.
Jim Demos grew up in the west-end’s industrial part of Winnipeg among rusted train yards and crumbling storage facilities. Aside from the years of searching out obscure metal albums as a kid, he later became interested in the Chicago, San Diego, Chapel Hill music scenes, shoe-gazer bands of the early 90’s, and the kraut-rock/experimental scene of the 70’s. Even though these styles could be heard in earlier projects, an ethnic influence was always present in his writing. When a child, his family would visit the Greek orthodox church on special occasions where he first heard the greek orthodox choir. Later on Jim became interested in spaghetti-western films and their soundtracks, and has taken these two influences as a canvas to work off of.
His past projects and collaborations include guitarist/vocals/writer in the noise rock band Ham, bass/writer in shoe-gazer band National Monument and guitarist/writer in Gothic western band The Dead Letters. Jim is also co-writer in the Golden Tombs.
Exploring the depths of 70's and 80's sci-fi soundtracks, Scraps, notes and ideas fused together to create a soundtrack to a fictional sci-film entitled: Land of no Return. This album was recorded digitally then mastered through a 1970's DENON 5L-40 REEL TO REEL TAPE MACHINE found in an antique shop in Sainte Anne-de-Bellevue, Quebec. Instruments used were: Various midi instruments, a Fender bass guitar, samples, Roland SH2000 synth, guitar drones, ebo, Sampletron.
Elã (pronounced Elan) is the new record of the Brazilian instrumental/post-rock band Kalouv, formed by Basílio Queiroz (bass), Bruno Saraiva (keyboards), Saulo Mesquita (guitar), Túlio Albuquerque (guitar) and Rennar Pires (drums). The album was composed between December of 2016 and march of 2017, in a country house named Sítio Santa Fé, located in the interior of the state of Pernambuco in Brazil. Also, the record became possible by a crowdfunding campaign, raising 124% of the goal in 45 days.
Between the time of composing in the Sítio Santa Fé, the nine tracks of Elã gained life and made the musicians develop new ways of creating music. This process brought more direct songs inspired by contemporary music that goes from alt rock and IDM genres to pop from the eighties. Therefore the post-rock that guided the previous records get new colors and goes off the sobriety and introspective tone to give space to tracks guided by synths, rhythmic guitars, and vocals, with more interaction between drums, bass and piano.
Created in 2010, the band has in their history two full-length albums, Pluvero (2014) and Sky Swimmer (2011) and an EP, Planar Sobre o Invisível (2016), all of them being well received by Brazilian and foreign media. In this fourth work, the band tries to bring new musical influences and collaborations to the album, like Sofia Freire in the tracks Elã and Pedra Bruta, Yukio in the track Mergulho Profundo and RØKR in the track Hotline Miami. The record had the recording, mixing and mastering by Bruno Giorgi, sound engineer behind other Brazilian music projects like Lenine (winner of Latin Grammy), baleia, Vitor Araújo and others. He also participated in the album adding textures and rhythmic mixing designs to the album.
The graphic art and design project is signed by Thaís Jacoponi, a resident of the city of São Paulo, Brazil. The image of a person hugging this black risk represents the energy that the word Elã brings: innovation, impulse, drastic force. The record was named after we met a little dog in the country house called Elã. The name drew our curiosity because is an unexpected name to put in a dog, so we looked for the meaning and found that it connects entirely with the feeling we were trying to put in our composing time. Also, was a meaningful word to represent our friendship and the stories that we constructed together in seven years as a band.
Pedra Bruta - 04:17 Moo Moo - 05:27 MÃ¡quinas - 05:25 ElÃ£ - 05:36 Hotline Miami - 06:42 Depois do Escuro - 04:52 O Escultor - 06:12 Rei Sem Cor - 05:15 Mergulho Profundo - 06:38
“An ordinary narrative” is EP for the little moments in our lives. Bold, repetitive and simple are three suitable words to describe the material in “An ordinary narrative”. This EP is the representation of Nhung Nguyen everyday life – a narrative which is both real and surreal. Seven piano pieces with a touch of soundscape are processed with a minimal level of editing to create a sense of imperfection. The raw quality of these pieces carries Nhung Nguyen's honest and sincere feelings toward life, memories and music. “An ordinary narrative” is the theme for the dreamy time of the youth.
Northwest is one of the most promising musical projects in the independent scene. They gained media attention because of their ethereal and cinematic sound, their nostalgic and mysterious image and their diverse blend of influences (from bands like Radiohead and Portishead to composers such as Debussy and Robert Wyatt).
Northwest was formed in 2015 in the UK by multi-instrumentalist, composer and producer Ignacio Simón and visual artist, composer and singer Mariuca García-Lomas They gained attention with three home recorded singles (Reflection, Wind and Look At Me) which were released independently and with very little promotion, accompanied by three artistic videos directed by Mariuca García-Lomas herself.
The duo Northwest moved from Spain to the UK and spent half of the year traveling around England and Scotland. Inspired by these trips, they started writing their debut album in 2016. This album has been almost entirely writen and recorded in less than a year while the artistic couple locked themselves in a country house outside of London.
Northwest has managed to create an original and otherwordly atmosphere thanks to their unique blend of experimental jazz rhythms, ethereal and enigmatic layered vocals, classical orchestration, delicate production and nostalgic lyrics. Their upcoming debut album is one of the most awaited and promising projects of the independent music scene.
Ali Murray is an ethereal folk songwriter/musician from the cold isle of Lewis in the north of Scotland. He writes dark atmospheric folk music with lush sweeping dreamy soundscapes and Celtic-twinged instrumentation. His new album LAND OF EVERGONE strikes a balance that is intimate and soaring, peaceful and haunting, sad and quietly joyful, delicately reverberating with Murray's dreamy voice and guitar playing.
Orellana is a neo-classical/post-rock collective hailing from Bristol, UK. Their new album “52”, released in late December, brought in the new year with it’s explosive and intricate sound. The project’s music transcends genre definitions in order to focus on a broad, diverse concept that is more emotional than tangible. This particular release is full of rich and diverse arrangements, but it is also a powerful exercise in minimalism, one that showcases the strength of very few notes placed in the right spots. The simplicity of the arrangement is actually one of the strongest aspects of this entire release: there’s a palpable stillness created by the long, drone notes in the background, which almost makes you feel like the world is happening in slow motion. When the chords and notes change, it feels quite monumental due to the beautiful contrast between the stillness of the background textures and the expressive sound of the guitar-based melodies.