2017-05-05 03:23:44 UTC
Wilder Gonzales Agreda (native from Los Olivos, North Lima, Peru) begun his music career in 1995 with his first band Avalonia (with Fernando Ponce, Fabián Escalante and Óscar Pita) and, after the brokenhearted split of this early avatar, with Fractal (alongside Wilmer Ruiz and Hugo Medina). Both groups were part of the new peruvian avantgarde history born with the post-rocker and ethereal scene known as Crisálida Sónica.
In 2003 Gonzales Agreda started the independent neo-psychedelic label Superspace Records and since the 00's has taken part on projects like El Conejo de Gaia, Azucena Kántrix (with Christian Galarreta), The Electric Butterflies (with Roger W. Terrones), The Peruvian Red Rockets (with Luis Durand), Martelenor (with Juan Roldán and Hugo Medina) amongst others.
He has been pursuing a musical ethos that makes him one of the most interesting sound artists from Peru today. Gonzales Agreda has released more than 60 discs by now, on his own label and on other ones across the world like Clinical Archives (Russia), Ruidemos (Spain), TibProd (Poland), Limitada (Argentina), Tape Safe (Belgium), Aloardí (Peru), etc. His music work has received outstanding reviews by such cool magazines like The Wire (U.K.), Rock de Lux (Spain), Decoder (U.S.A.), Vital Weekly (Netherlands), Go-Mag (Spain), Loop.cl (Chile), Losing Today (Italy), etc.
In 2014 he put out the album "Lima Norte Metamúsica" (Superspace Records, 2014) with the artwork done by the inimitable neo-psychedelic painter Anthony Ausgang that has received great critics from the press and begun 2015 with the release of a free download computer music single entitled "Música Anticorrupción". 2016 saw the release of "Scala Mega Hertz" and "Polykroma EP". Recently he has put a new album entitled "Paraísos, Revoluciones y Tú" (2017).
THE NEW DISC BY WILDER IS OUT NOW Paraísos Revoluciones y Tú (2017)
- Porno para mis neuronas - 05:26
- Serendipity - 04:35
- Pan Sonic - 05:23
- Post-drone party - 04:53
- RevoluciÃ³n CrisÃ¡lida - 11:49
experimental, arte, sonoro, electronic, minimalismo, post-rock, psychedelia, soundart, space-rock
On Saturday, May 20, multi-instrumentalist and lauded bass player Erik Kramer released his debut studio endeavor, an EP entitled ‘Missed the Boat.’ The Brooklyn-based musician has an especially eclectic sound, one that employs the talent of a slew of musicians: saxophone, trombone, viola, trumpet, back-up vocalists - they’re all there. An experimental record through and through, ‘Missed the Boat’ is an indie record quite unlike anything else that’s come across my desk in recent months.
The Great Long Distance is an audible recollection of the first 12 months of a long distance relationship, including the highs and lows and moments in between. It is a journal without words, each of the 12 tracks representing each month respectively. Inspired by the format of NIN's "Ghosts I-IV", the album is a sonic tapestry of different moods and themes, with various recurring motifs and the subtle melding of synthesizer and samples; the result something not quite classical, ambient or electronic - rather, an eclectic blend of the three. For fans of Ólafur Arnalds, Nils Frahm and later Ulver